The outdoor stage upon which tenor saxophonist Hadley Caliman and his group will play Sunday at the Bumbershoot music and arts festival is among the more intimate at the event, a cozy nook with room for about 800, surrounded by exhibit rooms, sheltered from the rock-thirsty crowds the event is known for.
One of the oldest and most revered performers at the festival, the semiretired Caliman, 76, is among a relative handful of acts that comprise jazz at Bumbershoot this year. Most, if not all, of them (depending on your definition of jazz) will perform Sunday on the Wells Fargo Stage in the Northwest Court, the traditional venue for jazz at Bumbershoot.
While jazz is not the main reason that thousands mob the Seattle Center every Labor Day weekend, Caliman and musicians like him are what make Bumbershoot the unique event that it is, a true mix of forms, genres and interpretations.
One of the oldest and most revered performers at the festival, the semiretired Caliman, 76, is among a relative handful of acts that comprise jazz at Bumbershoot this year. Most, if not all, of them (depending on your definition of jazz) will perform Sunday on the Wells Fargo Stage in the Northwest Court, the traditional venue for jazz at Bumbershoot.
While jazz is not the main reason that thousands mob the Seattle Center every Labor Day weekend, Caliman and musicians like him are what make Bumbershoot the unique event that it is, a true mix of forms, genres and interpretations.
For more information contact All About Jazz.