Authorship of the jazz standard Four has always been in question. Miles Davis was the first to record the song in 1954 and has the sole writing credit. But it has long been argued by jazz writers that Eddie Cleanhead" Vinson wrote the song, along with Tune Up, and loaned them to Davis to record. Somehow Davis wound up with the composer credit, which Vinson didn't complain about until many years later. In almost all of these narratives, Davis is cast as a thief.
In truth, we don't really know who wrote Four. Vinson may have played a variation of the song for Davis, and then Davis altered it sufficiently to make it his own. Or after Davis recorded the song, Prestige owner and producer Bob Weinstock wrote down Davis's name. Weinstock seemed to do this often to gain the publishing rights for Prestige. Chuck Wayne's Sonny (named for Sonny Berman) wound up as Miles Davis's Solar, with Prestige again receiving the publishing rights. Or Vinson may have had virtually nothing to do with Four's writing but thinks he did. We'll never know for sure.
What we do know is that the song has been recorded more than 300 times by jazz musicians and that most fans never tire of hearing it. Let's listen to the first recording of the song by Miles Davis in 1954 and then a 1968 video of Sonny Rollins playing it:
Here's Miles Davis playing Four backed by Horace Silver (p), Percy Heath (b) and Art Blakey (d) in 1954...
And here's tenor saxophonist Sonny Rollins backed by pianist Kenny Drew, bassist Niels-Henning Ørsted Pedersen and drummer Albert Tootie" Heath in Denmark in 1968. The rendition opens with Sonny playing an a cappella introduction, referencing quite a few songs, including They Can't Take That Away From Me, Don't Stop the Carnival,The Daring Young Man on the Flying Trapeze, I Can't Get Started and I Understand. Then dig how Sonny backs into Four...
Rhythm Abstraction: Azure is the first volume of new compositions created as a follow up to 2018’s
release Rhythm Kaleidoscope. As with that release, Brock Avery improvised drum and percussion
solos. Frank Macchia then composed music for woodwinds and orchestra to Brock’s creations. Azure
is the first of three extended play albums of 6-7 compositions which will be released starting in
January and followed up in April and July. In Azure we have a created a group of pieces that continue
our quest for honoring the art of improvisation with a “stream-of-consciousness” sense of
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