Tom Beckham Group with Chris Cheek
Sunday June 5th Cornelia Street Cafe
8:30Pm-11Pm
May 31, 2005
To: Listings/Critics/Features From: TOM BECKHAM [email protected]
www.tombeckham.net
Tom Beckham Group with Chris Cheek
Tom Beckham - vibes, compostions, Chris Cheek - saxes, Bryn Roberts - piano, John Hebert -bass, Diego Voglino - drums
Sunday Jun. 5th Cornelia Street Cafe / Cornelia Street Cafe, 29 Cornelia Street, NYC / 8:30PM
$10 cover www.corneliastreetcafe.com
Vibraphonist Tom Beckham will perform new songs plus material from his soon-to-be-released CD (fall 2005) on Fresh Sound New Talent entitled Center Songs." His debut CD Suspicions"; (FSNT) also featured Chris Cheek as well as Reid Anderson (Bad Plus) and drummer George Schuller (Circle Wide).
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“Beckham's warmly melodic writing is well served by his approach, one situated between the slow-burn soul of Milt Jackson and the pianism of Gary Burton."
—Jazztimes Magazine
When he takes the stage he invariably amplifies the album’s energy. I’ve seen him stress his instrument’s percussive side, and in doing so, stretch a solo into a trance-like soliloquy."
—The Village Voice
Sunday June 5th Cornelia Street Cafe
8:30Pm-11Pm
May 31, 2005
To: Listings/Critics/Features From: TOM BECKHAM [email protected]
www.tombeckham.net
Tom Beckham Group with Chris Cheek
Tom Beckham - vibes, compostions, Chris Cheek - saxes, Bryn Roberts - piano, John Hebert -bass, Diego Voglino - drums
Sunday Jun. 5th Cornelia Street Cafe / Cornelia Street Cafe, 29 Cornelia Street, NYC / 8:30PM
$10 cover www.corneliastreetcafe.com
Vibraphonist Tom Beckham will perform new songs plus material from his soon-to-be-released CD (fall 2005) on Fresh Sound New Talent entitled Center Songs." His debut CD Suspicions"; (FSNT) also featured Chris Cheek as well as Reid Anderson (Bad Plus) and drummer George Schuller (Circle Wide).
------
“Beckham's warmly melodic writing is well served by his approach, one situated between the slow-burn soul of Milt Jackson and the pianism of Gary Burton."
—Jazztimes Magazine
When he takes the stage he invariably amplifies the album’s energy. I’ve seen him stress his instrument’s percussive side, and in doing so, stretch a solo into a trance-like soliloquy."
—The Village Voice
For more information contact All About Jazz.