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Trombonist Chris Abelen releases 'Live At The Bim' Featuring Lorena Del Mar

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What’s really fascinating is the way that arranger Abelen has been able to combine funky guitar/bass/drums rhythmic patterns with post-bop, modal jazz improvisations into a seamless fit. This melding of genres harks back to Miles Davis’ fusion bands.
—Victor L. Schermer, Senior Staff Writer, All About Jazz
A live recording of the Songs on the eve of dismissal concert on June 23, 2019 at the Bimhuis in Amsterdam.

Songs on the eve of dismissal, as the title suggests, is a project about working in an office, and the main emotions involved in present-day office life: fear and loss of individuality. With millions of people worldwide trying to survive the next reorganization while doing their job, this is a serious subject which connects to a large group; at the same time, not many songs have been written about it—up to now, that is! Sad songs, but high-spirited ones as well: like the one they sang going to their last off-site, or the respectful but frank Prayer to the shareholder.

“A gospel for those consigned to cubicle life, Chris Abelen’s new album captures the angst and ennui of the career office employee. The trombonist’s octet maintains a whimsical tone throughout, but nothing about the lyrics give the impression of irony." —Bandcamp (Jazzpick)

Line-up

Angelo Verploegen: trumpet
Kika Sprangers: soprano & alto saxophone
Chris Abelen: trombone
Coen Kaldeway: baritone saxophone & bass clarinet
Thijs Huijbens: guitar
Ulrich Wenztlaff-Eggebert double bass
Yonga Sun: drums
Lorena del Mar: voice

Bastiaan Geleijnse: lyrics

About Chris Abelen

Chris Abelen (born September 29, 1959 in Tilburg, the Netherlands) is a jazz trombonist, composer and bandleader. Abelen started his professional career as a member of the Willem Breuker Kollektief. After he left this band in 1988 he started to form his own bands. All compositions for these bands are written by Abelen, from a jazz quartet to a big-band.

Chris Abelen started, as many trombonists, with the trumpet (at the age of 11). At the age of 18 he switched to the trombone. He started to study classical trombone with Charles Toet and Henri Aarts, and after 4 years switched to Amsterdam to study with Willem van Manen, former 1st trombonist of the Willem Breuker Kollektief. When Van Manen left, shortly replaced by Garrett List, Abelen started to perform with the Kollektief in the summer of 1984. After extensive touring with this band he left at the beginning of 1988, to start his own band, and to perform with others.

The first band was the Chris Abelen sextet, with Tobias Delius, Bo van de Graaf, Wilbert de Joode, Martin van Duynhoven and Jan Kuiper. Their first perfomance was on the Klap of the Vuurpijl, a 5 days festival, organized by Willem Breuker between Christmas and new year's eve in Amsterdam. Unfortunately the Dutch Radio Broadcast Corporation lost the recordings of this concert. After some concerts Abelen decided to continue with a quartet, so Kuiper and Van de Graaf left the band. The Chris Abelen Quartet performed once, for a VPRO radio broadcoast in O42 in Nijmegen, the Netherlands. From this recording the title track Plint is on the EP Plint (CAMP 005), with a great tenor solo from Delius. After this one- time concert Abelen decided to replace Martin van Duijnhoven by Charles Huffstadt, and asked Corrie van Binsbergen to join the quintet. They started in the studio with a recording of Dance of the Penguins (1996). A 2nd live album was recorded in 1999, What a romance. Before starting this Chris Abelen Quintet, Abelen was commissioned for a 2nd time to write for the Klap op de Vuurpijl for a 10- piece band, with Ab Baars, Paul Termos, Frans Vermeersen, Eckard Kolterman, Eric Boeren, Larry Fishkind, Michael Vatcher and Wilbert de Joode. Years later (in 2002) Abelen decided to release these recordings and produced his 3rd album PROOST (dutch for 'cheers'). The 4th album, Space, was recorded with the quintet, a string quartet (Zapp4) and Ab Baars on clarinet. In 2016 Abelen released his 6th album, A day at the office, for a septet with a new line-up, with Angelo Verploegen, Floris van der Vlugt, Tini Thomsen, Thijs Huijbens, Ulrich Wentzlaf and Yonga Sun. This album is part of a new project which Abelen is working on with Bastiaan Geleijnse, a Dutch cartoonist (Fokke & Sukke), who is writing the text and lyrics.

Beside his own bands Abelen toured and recorded with the Contraband, from his former teacher Willem van Manen, and with other dutch bands, such as I Compani, Paradise Regained Orchestra, Eric van der Westen Octet, Dick de Graaf Septet. Chris Abelen is also working as a professional engraver (Finale/Apple), for publishers as Boosey & Hawkes (London), Donemus, Universal and for orchestras as the Los Angeles Philharmonic, Royal Concertgebouw Orchestra (Amsterdam), Asko/Schönberg (Amsterdam), Metropole Orchestra (the Netherlands), Netherlands Philharmonic Orchestra and others. Abelen started with digital engraving in 1992, when Willem Breuker needed some help with his Atari. Composers among others Louis Andriessen, Martijn Padding, Willem Jeths, Geert van Keulen, Elmer Schönberger, Bernard van Beurden, Willem Breuker.

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Track Listing

A day at the office; Prayer to the shareholder; Fix; Off-site weekend; Delay; At home; Nobody told me; Imposter syndrome; Back to work; I hate to let you go; Out of the box; Remembering Willem B.; Honey text me back; The hall; Song on the eve of dismissal

Personnel

Chris Abelen
trombone
Kika Sprangers
saxophone
Coen Kaldeway
saxophone, baritone
Thijs Huijbens
guitar, electric
Yonga Sun
drums

Album information

Title: Live at the BIM | Year Released: 2020 | Record Label: CAMP

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