When one listens to the powerful guitar playing of Roman Miroschnichenko
, it is easy to be reminded of Al Di Meola
and John McLaughlin
during his Mahavishnu days, but it soon becomes apparent that Miroschnichenko has his own sound within fusion. While he is never shy to cut loose, he also uses subtlety, mood variations and creativity throughout, mixing together tight arrangements with pure spontaneity.
Born in the Ukraine, Roman Miroschnichenko (the son of a saxophonist) began playing guitar when he was 14. While he started out exploring blues and rock, he was regularly exposed to jazz which he found challenged him more. Since 2003 he has led at least ten albums, setting the standard for 21st century fusion guitar.The Sixth Sense
has Miroschnichenko and his regular trio with electric bassist Oleg Kanakov and drummer Val Chernook are joined by special guests along the way which give the project variety. The guitarist performs eight of his originals plus Henrik Andersen’s “Moon Over Tanjore” and Daniel Figueiredo’s “Planar.” The opener, “Flying Dragon,” has bassist Bunny Brunel
joining Miroschnichenko for a high-powered and assertive theme that inspires the guitarist to play with a great deal of intensity. “Night In June” with percussionist Gumbi Ortiz also starts on an intense level but uses space that allows Miroschnichenko to draw out the melody as the performance builds and builds. “Isoboogie,” with guitarist Jennifer Batten added to the group, has a particularly catchy groove that is both memorable and fiery.
Hey Roman! Great track! Amazing tone and phrasing! Really cool stuff! Good to see you guys making good use of the quarantine!"—Steve Vai kindly noted about Isoboogie" track.The Sixth Sense
(which includes drummer Luis Alicea, percussionist Paul Wertico
, and some background singing from Matt Laurent) is a relatively melodic piece that cools things down a little. It acts as a prelude to one of the album’s highpoints, “Bodhran’s Magic.” The interplay between Miroschnichenko and violinist Charlie Bisharat is quite colorful and the violinist takes an outstanding solo. In contrast, “Planar,” which includes pianist Rannieri Oliveira and the St. Petersburg Studio Orchestra, is a pretty ballad given a concise treatment. “Moon Over Tanjore” with guitarist Henrik Andersen and bassist Dominique di Piazza
has rapid lines played impeccably by the two guitarists who consistently challenge each other while displaying distinctive styles. “Ole” finds guest keyboardist Gary Husband
adding jazz flavor to a piece that features a strong melody and Spanish rhythms. “Ocean” with Frank Colon and Gumbi Ortiz on percussion, is quite explosive yet melodic while “Breathe Groove” concludes the memorable set with a calm and peaceful theme.The Sixth Sense
is an impressive effort that can either be an introduction to the talents of Roman Miroschnichenko for some listeners, or be a prized acquisition for the guitarist’s many fans.
—Scott Yanow, jazz journalist/historian