Ever since arriving on the New York scene in the mid-1970s, tenor saxophonist Ralph Lalama has been widely recognized as a Most Valuable Player. He's been a key soloist with the Vanguard Jazz Orchestra for more than 25 years, and a member of Joe Lovano's Grammy-winning Nonet since its inception in 1999. But it was only in 2008 that Lalama made his first U.S. recording as a leader, the well-received Energy Fields for Mighty Quinn Productions.
Now he's produced a worthy follow-up--The Audience--that will be released by Mighty Quinn on January 26. The new CD, produced by Jerry Roche, features Lalama's working quartet, his muscular tenor sound, and his uncompromising yet tradition-grounded approach to melodies and improvisation.
“He doesn't hide behind anyone else's ideas, and speaks the truth. He can't do anything else and I love him for that!" writes Joe Lovano in the new CD's booklet notes.
Of his simpatico quartet-mates--guitarist John Hart, bassist Rick Petrone, and drummer Joe Corsello--Lalama observes that “John is not only a great soloist, he's a great accompanist. And Rick and Joe just lay it down. It's easy to improvise over." The foursome have been working together off and on for the last several years, and made their debut on record with Energy Fields.
Lalama's repertoire choices on The Audience are a savvy mix of jazz classics and lesser known standards, including Wayne Shorter's “Marie Antoinette," Duke Pearson's “Minor League," and “Love Thy Neighbor," introduced to the jazz world by John Coltrane. “Kiss and Run" and “I'm an Old Cowhand" are nods to Sonny Rollins, and the ballad “Portrait of Jennie," one of the album's highlights, is dedicated to the memory of his mother, vocalist Jennie Lalama.
During the 1990s, Ralph Lalama made five highly-regarded albums under his own name for the Dutch Criss Cross label, beginning with Feelin' and Dealin' (1991); Momentum (1992), with Kenny Barron, which garnered a five-star review in the All Music Guide; and You Know What I Mean (1995). Circle Line (1997) earned four and a half stars in Down Beat and a spot in the magazine's “Top CDs of the Decade." The saxophonist's final Criss Cross project was Music for Grown-Ups (1999), with Richard Wyands, Peter Washington, and Kenny Washington.
Lalama has also performed and/or recorded with Carla Bley, the Carnegie Hall Jazz Band (now the Jon Faddis Jazz Orchestra), the Joe Lovano Nonet (on three acclaimed Blue Note CDs), Carmen McRae, James Moody, Joe Morello, Buddy Rich, Mel Torme, and his vocalist wife, Nicole Pasternak, among numerous others.
As a jazz educator, the Yonkers, New York resident has been an adjunct professor for the past 20 years at New York University and for the past ten at SUNY Purchase. He also is a member of the Westchester Jazz Orchestra and its educational outreach program to jazz students in that New York county's public schools. And he has conducted clinics around the world, often during tours with the Vanguard Jazz Orchestra.
Jazz fans can only hope that Ralph Lalama's exceptional Mighty Quinn outings mark a return to regular recording for this deserving-of-much-wider-recognition tenor master.
Now he's produced a worthy follow-up--The Audience--that will be released by Mighty Quinn on January 26. The new CD, produced by Jerry Roche, features Lalama's working quartet, his muscular tenor sound, and his uncompromising yet tradition-grounded approach to melodies and improvisation.
“He doesn't hide behind anyone else's ideas, and speaks the truth. He can't do anything else and I love him for that!" writes Joe Lovano in the new CD's booklet notes.
Of his simpatico quartet-mates--guitarist John Hart, bassist Rick Petrone, and drummer Joe Corsello--Lalama observes that “John is not only a great soloist, he's a great accompanist. And Rick and Joe just lay it down. It's easy to improvise over." The foursome have been working together off and on for the last several years, and made their debut on record with Energy Fields.
Lalama's repertoire choices on The Audience are a savvy mix of jazz classics and lesser known standards, including Wayne Shorter's “Marie Antoinette," Duke Pearson's “Minor League," and “Love Thy Neighbor," introduced to the jazz world by John Coltrane. “Kiss and Run" and “I'm an Old Cowhand" are nods to Sonny Rollins, and the ballad “Portrait of Jennie," one of the album's highlights, is dedicated to the memory of his mother, vocalist Jennie Lalama.
During the 1990s, Ralph Lalama made five highly-regarded albums under his own name for the Dutch Criss Cross label, beginning with Feelin' and Dealin' (1991); Momentum (1992), with Kenny Barron, which garnered a five-star review in the All Music Guide; and You Know What I Mean (1995). Circle Line (1997) earned four and a half stars in Down Beat and a spot in the magazine's “Top CDs of the Decade." The saxophonist's final Criss Cross project was Music for Grown-Ups (1999), with Richard Wyands, Peter Washington, and Kenny Washington.
Lalama has also performed and/or recorded with Carla Bley, the Carnegie Hall Jazz Band (now the Jon Faddis Jazz Orchestra), the Joe Lovano Nonet (on three acclaimed Blue Note CDs), Carmen McRae, James Moody, Joe Morello, Buddy Rich, Mel Torme, and his vocalist wife, Nicole Pasternak, among numerous others.
As a jazz educator, the Yonkers, New York resident has been an adjunct professor for the past 20 years at New York University and for the past ten at SUNY Purchase. He also is a member of the Westchester Jazz Orchestra and its educational outreach program to jazz students in that New York county's public schools. And he has conducted clinics around the world, often during tours with the Vanguard Jazz Orchestra.
Jazz fans can only hope that Ralph Lalama's exceptional Mighty Quinn outings mark a return to regular recording for this deserving-of-much-wider-recognition tenor master.
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