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The Child of the Sun Jazz Festival, a first-class Lakeland event begun in 1988 with major input from late great cornetist Nat Adderley but shuttered after a great 20-year run, will be revived next spring.
That's the word from Larry Burke, longtime music professor at Florida Southern College, original home to the event. The revived fest, to be sponsored by the Lakeland Rotary Club, will be held April 15-16 downtown at Lake Mirror. An affiliated triathlon is slated for that weekend, too.
Over the years, the fest, directed by Burke and usually held outdoors on campus and at Branscomb Auditorium (and sometimes in Munn Park) featured impressive lineups headlined by major jazzers. A partial list: Adderley, pianists Larry Willis and Rob Bargad, bassist Walter Booker, drummer Jimmy Cobb, saxophonists Antonio Hart and Vincent Herring, and percussionist Gumbi Ortiz (all of whom variously played or guested with Nat), guitarists Barney Kessel and Roni Ben-Hur, saxophonists Junior Cook and Ernie Watts, trumpeters Lew Soloff and Jeremy Pelt, and pianists Manfredo Fest and Kenny Drew, Jr. The fest, which took its name from the architectural theme of the Frank Lloyd Wright-designed campus, also provided a showcase for many Tampa Bay area jazz musicians.
The lineup for the 2011 fest is TBA--check back here for updates.
Several bands and musicians who worked with late drummer Don Capone, including Denise Moore and Then Some, and Trio Vibe (my group) are gathering to play a concert/jam in honor of Don, who passed away Feb. 12. Were getting together Wednesday, May 12 at Lenny's Latin Cafe in Temple Terrace, where Don played host to a jam session.
Trumpeter Dwayne White will be master of ceremonies for the evening. Music begins at 7 p.m. Admission is free, but donations will go to the Al Downing Tampa Bay Jazz Association's scholarship fund. More details are TBA.
The Jazz Cellar Underground Orchestra, who ruled the roost at Dick Rumore's old Jazz Cellar at Ybor Square, are reuniting to play a May 16 concert benefiting the jazz program at Blake High School in Tampa. I'll post more info soon.
I love jazz because anything is possible; it has few rules and the best jazz breaks those ones. I prefer free improv because it doesn't really have any rules at all.
I was first exposed to jazz in my teens (in the late sixties).
The first jazz record I bought was Filles de Kilimanjaro by Miles Davis, shortly followed by Extrapolation by John McLaughlin.
My advice to new listeners is to listen as widely as possible and not to make snap judgments--stick with it.