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Armstrong was the first international jazz superstar, a virtuoso soloist who set the bar for every jazz musician who followed him, an innovative vocal stylist, and one of the greatest entertainers of the 20th century. Though he may have lacked formal education, there's no question that Armstrong was a genius, and nearly 40 years after his death, his music remains both worthy of extended study for musicians and composers and genuinely entertaining to just about everyone.
Although the short glimpses of Armstrong seen on film and TV throughout his career could only capture a portion of that genius, it's a portion that's still worth revisiting and appreciating, and so today, we have a half-dozen clips of Armstrong in action.
The first video up above dates from 1934, and shows Armstrong and band performing I Cover The Waterfront," Dinah" and Tiger Rag" in Copenhagen, Denmark.
Down below is a clip of Stompin at the Savoy" from a 1959 performance in Stuttgart, Germany. Armstrong is backed by Trummy Young (trombone), Peanuts Hucko (clarinet), Billy Kyle (piano), Mort Herbert (bass) and Danny Barcelona (drums).
Below that, it's a rather relaxed version of When The Saints Go Marching In," taped in March, 1963 in Sydney, Australia and featuring Armstrong, Young, Kyle, Barcelona, clarinetist Joe Darensbourg and bassist Arvell Shaw.
Next up, it's the classic Basin Street Blues," recorded in February, 1964 for the US TV program The Bell Telephone Hour: The American Song. It's the same band as the 1963 clip, except with trombonist Russell Big Chief" Moore in place of Young.
The fifth clip features Armstrong and country music great Johnny Cash performing Blue Yodel No 9" in 1970 on Cash's TV show. Armstrong appeared as an unbilled guest star on the original version recorded in 1930 by Jimmie Rodgers.
And just to close out with a local reference, the final clip is a version of St. Louis Blues" recorded in 1959 in Belgium by the same band seen in the Stompin' at the Savoy" clip, plus vocalist Velma Middleton.
I love jazz because anything is possible; it has few rules and the best jazz breaks those ones. I prefer free improv because it doesn't really have any rules at all.
I was first exposed to jazz in my teens (in the late sixties).
The first jazz record I bought was Filles de Kilimanjaro by Miles Davis, shortly followed by Extrapolation by John McLaughlin.
My advice to new listeners is to listen as widely as possible and not to make snap judgments--stick with it.