All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.
Before Benson became a pop and R&B star via his renditions of vocal tunes such as This Masquerade" and On Broadway," he already had established a reputation as a top-notch jazz instrumentalist. His new album Guitar Man, which will be released next week on the Concord label, is being touted as something of a return to those roots, and in a nod to that release, today we look at some clips that emphasize Benson's considerable skills as a guitarist.
First up is a clip from 2008, featuring Benson performing the Jose Feliciano composition Affirmation" at the North Sea Jazz Festival 2008 in Rotterdam, the Netherlands.
Next up, we go back to 1992, to a show in Seville, Spain at which Benson fronted an all-star band led by George Duke in versions of two songs that happen to have a St. Louis connection: Valdez In The Country," written by St. Louis native Donny Hathaway, and Miles Davis' All Blues."
The final three videos come from a 1989 performance that teamed Benson with the trio of the great pianist McCoy Tyner, with Avery Sharpe on bass and Aaron Scott on drums. Benson cuts loose on three familiar jazz tunes"Round Midnight," Stella By Starlight," and Alligator Boogaloo," demonstrating once again that he's got plenty to say with his guitar as well as his voice.
I love jazz because it mixes intellect and emotion in a very spontaneous way.
I was first exposed to jazz by liberating a Coltrane and a Pharoah Sanders record from a friend in NYC and listening to them over and over until I got it.
My advice to new listeners is you have to take the time to listen to some jazz tunes a number of times until it starts to make sense.