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Rebecca Martin Interviewed at AAJ

SOURCE: ALL ABOUT JAZZ PUBLICITY
December 25, 2006
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To assume that singer/writer Rebecca Martin's comparatively small recorded output is a reflection of her level of development as an artist would be a mistake.

AAJ Contributor John Dworkin caught up with the energetic Martin at a hometown cafe, and sheds some light on this up-and-coming singer/songwriter, including some intriguing insight into working with drum legend Paul Motian on his latest Trio+1 release, On Broadway Vol. 4: Or The Paradox Of Continuity.

Check out Rebecca Martin: Paradox of Continuity at All About Jazz today!

For interview requests or more information contact All About Jazz Publicity.

I love jazz because I hear musicians being in the “now”, creating on the spot. I was first exposed to jazz by my father. He doesn't play (though he has dabbled with piano in the past), but apparently jazz runs in the family blood
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I love jazz because I hear musicians being in the “now”, creating on the spot. I was first exposed to jazz by my father. He doesn't play (though he has dabbled with piano in the past), but apparently jazz runs in the family blood. My grandfather, a professional jazz pianist, once accompanied Judy Garland when she strolled into the Chicago hotel where he played; one of the songs they performed was, of course, “Somewhere Over the Rainbow.” I never got to hear my grandfather play, because he gave up “the life” when he moved to California, when my dad was still in high school. However, my grandpa remains an inspiration, so I wrote an arrangement of “Somewhere” in Latin Jazz style, and dedicated to my father and to the memory of my grandfather. The first jazz record I bought was McCoy Tyner, “Dimensions.” McCoy is a great influence on my piano playing to this day. My advice to new listeners is, have an open mind; let the music develop, let the artists take you on a journey. Jazz is human, personal, and carries great immediacy. In an age where technology replaces the human element in much art, jazz in general is all about the performance. Even in recording, it is a moment of spontaneity frozen in time. So support live music, support live jazz! Keep us human in the modern world.
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By Michelle Pollace
Member since: 2013