Join visiting artist-in-residence, renowned jazz bassist Dave Holland
as he leads New England Conservatory jazz students in a performance of his music at 8 p.m. on Thursday, March 13 at NEC’s Brown Hall, 30 Gainsborough Street, Boston, MA. The concert is free and open to the public. For more information call 617-585-1122.
A master of tone and rhythm, bassist, composer, and bandleader Dave Holland is now in his fifth decade as a performer and his music possesses a rich and kaleidoscopic history. His path has led him from the frontiers of free improvisation to his modern ensembles that fully embody the Sam Rivers-instilled philosophy of “playing all of it.” The Wolverhampton, England, native got his big break from Miles Davis, with whom he played during the trumpet legend’s epochal Bitches Brew period. Solo, and in collaboration, Holland became a dominant voice in the 1970s – partnering with Rivers, and working with folk and rock musicians such as Bonnie Raitt and John Hartford, and even had a passing encounter with Jimi Hendrix. He formed his first working quintet in 1983, and released Jumpin’ In
, and continued to develop other varied and fruitful relationships with artists such as Anthony Braxton, Stan Getz, Cassandra Wilson, Jack DeJohnette, Chick Corea, Joe Henderson, Thelonious Monk, Betty Carter, Pat Metheny, Kenny Wheeler, Bill Frisell, Roy Haynes and Herbie Hancock over the course of his career.
In 2005, Holland formed Dare2 Records, after a long-standing relationship with ECM Records. Albums on Dare2 include the Grammy-award winning Overtime
(2005), Critical Mass
(2006), Pass It On
(2008), Grammy-nominated Pathways
(2010), and Hands
(2010). Holland’s latest release is Prism
(September 2013), featuring Kevin Eubanks, Craig Taborn and Eric Harland.
Awarded an honorary degree by NEC in spring 2004, that fall Holland began a series of residencies here in which he shares the many dimensions of his activities as soloist, composer, bandleader, and all-round musician.
NEC’s Jazz Studies Department was the first fully accredited jazz studies program at a music conservatory. The brainchild of Gunther Schuller, who moved quickly to incorporate jazz into the curriculum when he became President of the Conservatory in 1967, the Jazz Studies faculty has included six MacArthur genius" grant recipients (three currently teaching) and four NEA Jazz Masters, and alumni that reads like a who’s who of jazz. Now in its 44th year, the program has spawned numerous Grammy winning composers and performers. As Mike West writes in JazzTimes: “NEC’s jazz studies department is among the most acclaimed and successful in the world; so says the roster of visionary artists that have comprised both its faculty and alumni.” The program currently has 114 students; 67 undergraduate and 47 graduate students from 12 countries.