Here's what Tommy told me:
Last year I invited Bill to headline a gig of mine at Blues Alley in Washington, D.C. He brought some of his charts, including an arrangement of Stephen Sondheim's Send In The Clowns. I thought to myself, 'Leave it to Bill to re-imagine what for jazz musicians is such a hackneyed tune.'
I hadn't had much experience with Sondheim's repertoire before this, other than a gig I did with Steve Ross at the Corcoran Gallery some years ago that was devoted entirely to Sondheim's works.
The gig turned on a light for me. So much of what has become standard repertoire for jazz musicians (at least the ones who inspire me) started on the Broadway stage. Why not continue what I think is a wonderful tradition with Sondheim's songs?
Ballad of Sweeney Todd is among the liberties" to which Cecil was referring and Sondheim was encouraging. The spirited interpretation is spring-loaded with dark twists and turns, including a vibrant solo by Cecil that sounds as though his plucking hand is several times larger than the normal hand.
Funny, you're a stranger who's come here, Come from another town. Funny, I'm a stranger myself here. Small world, isn't it?
This is a perfect jazz album that proves there are no worn songs, just worn interpreters, and that jazz artists can unashamedly love show tunes—even if they turn them inside out a bit. For my money, Mays and Cecil could record seven more Sondheim albums. I'm sure each would sound better than the last. And I'm sure Sondheim loved what he heard here.
JazzWax tracks: You'll find Side By Side: Sondheim Duos
A big JazzWax thanks to Joe Lang.
JazzWax clip: Here's Bill Mays playing Bill Evans' Waltz for Debby, one of the most fluid interpretation of the piece...
Here's Tommy Cecil with pianist Chris Grasso and saxophonist Marshall Keys playing Yesterdays...
This story appears courtesy of JazzWax by Marc Myers.
Copyright © 2024. All rights reserved.