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For the new segment of our adventure in letting bassists be our guides, author, critic and sometime Rifftides commentator Larry Kart has a fine idea.
May I suggest, for Part 4, Paul Chambers behind Miles Davis, John Coltrane, Wynton Kelly and Jimmy Cobb on So What." Like Heath and LaFaro in their various ways, where Chambers puts one" is a place where no one who's playing with him literally is, but it's a place that all can touch and play off of. I think that's a fairly basic (no play on words intended) general principle.
Good suggestion. The performance is from a 1959 episode of The Robert Herridge Theater on CBS-TV. Herridge introduces the program and the piece. Gil Evans leads the orchestra, whose function in this clip is to set the mood for So What."
I love jazz because I enjoy the freedom.
I was first exposed to jazz when I was 17.
I met Cedar Walton at a concert in San Paulo.
The best show I ever attended was Helio Jambao trio.
The first jazz record I bought was Witchcraft by George Benson.
My advice to new listeners is listen to the old school first.