Lafayette Gilchrist Signs With HYENA / Debut Album Available June 29th


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Set For Release on June 29th, 2004

New York, NY - The American jazz tradition has produced an array of legendary pianists/composers over the years whose larger-than-life names are perfectly suited for their superior talents: Thelonious Monk, Horace Silver, Bud Powell, Cecil Taylor, McCoy Tyner, Horace Tapscott, to name but a few. Add to that list, Lafayette Gilchrist, the Baltimore-based artist who will make his national recording debut on June 29th with the release of The Music According To Lafayette Gilchrist, on HYENA Records.

Lafayette Gilchrist arrives from saxophonist David Murray's band, where he's occupied the piano chair in both Murray's Quartet and Octet since joining in April 2000. In four quick years, Gilchrist has gone from scuffling as a young jazz pianist on the local Baltimore circuit to sharing stages with the likes of Hamiet Bluiett, Fontella Bass, Craig Harris, Hamid Drake and Rasul Saddik. While Gilchrist's battle for greater recognition keeps him hungry, if the past serves as any indicator, he's well on his way, as previous members of Murray's bands include the late Wilbur Morris, Olu Dara, and Henry Threadgill.

In Baltimore, Lafayette Gilchrist's reputation proceeds him. His hard working band, dubbed The New Volcanoes, features a propulsive rhythm section, and a dynamic horn line, counted on to raise the roof each and every night. Crowds gather for his performances at venues such as The New Haven and The 14 Carat Cabaret, but his audience is not limited to jazz heads. At clubs better known for presenting rock and punk, such as The Otto Bar and The Funk Box, Gilchrist has become a favorite, blurring the lines that divide genres.

On his debut album, The Music According To Lafayette Gilchrist, it's clear from the set opener “Assume The Position" that there's a greater vision at work. As the album's title relates, Gilchrist has his own ideas not quite like anything that's come before. There's a thump and swagger to songs like “The Return of Jess Grew" and “Baltimore's Belly," owing as much to Grand Master Flash and Afrika Bambaataa, as they do to Gilchrist's heroes like Sun Ra, and Thelonious Monk. It's loud, powerful and uncompromising music, swelling at the seams with bursting, syncopated horns, but contained by a steady funk bottom. Gilchrist serves as the go-between, essentially splashing colors of piano across the canvas, dashing sophisticated piano runs between horn lines, and comping big block chords of inventive, dark beauty.

In Lafayette Gilchrist's own words: “This is the sound of my town, where I come from. It's my own personal imagination and inspiration drawing from the environment that I live and grew up in. I'm a child of Hip-Hop, and I knew the music of every one of those D.C. go-go bands. And that's the foundation I build upon. When I sit down behind the boards, the stakes are high. It can never be anything less than honestly in your face and real. You'll know the game is on."


Upcoming on HYENA

Skip Heller (Fakebook) & Mocean Worker (Enter The MoWo) just released
The Frank & Joe Show (33 1/3) / May 11th
Stan Getz (My Foolish Heart: Live At The Left Bank) *Reissue* / May 25th
Lafayette Gilchrist (The Music According To Lafayette Gilchrist) / June 29th
Thelonious Monk (Monk 'Round The World) / *Thelonious Records* / June 29th


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