John Zorn's Masada is an interesting group. The way I've come to describe them is Ornette Coleman-listens-to-klezmer." While that's not the only way to get there, it'll do.
Pick any recording from the Masada series and you'll hear some fine interplay between Zorn's sax, the trumpet of Dave Douglas and Greg Cohen's bass. All of this supported (and sometimes shattered) by the fricken' exquisite drumming of Joey Baron.
So what to make of Masada Guitars? Pretty cool stuff. Guitarists Bill Frisell, Marc Ribot and Tim Sparks put their own stamp on tunes from the (huge) Masada catalog. This drastically transforms what Masada usually brings to the table. While some of that familiar off-kilter energy is gone, it is replaced by a kind of introspection that reminds me of Jerry Garcia's improvisations on the Zabriskie Point soundtrack.
If you're looking for some solo guitar that's outside of the mainstream (not too far ... we're not talking Derek Baily here) then you've come to the right place.
Learning Jazz gave me a masters degree in music. Jazz is American Classical Music, came
out of a need to be heard, to be understood, a voice when black America did not have one.
This is why the music is more than just an art form, it was created from blood, guts and heart
of those who suffered in this world. Its not to be taken lightly. If you do take it lightly it will
never sound right. Thank you to all the courageous musicians who made the world hear
them, their innovation came out of their experiences of the time that they lived. A treasure to
the world. American Classical Music. Imitate, Assimilate, Innovate a quote by Clark Terry.