Cachaa
35 West 8th St (bet. 5th & 6th Aves.)
NYC * tel 212-388-9099
Oct. New Set Times: 9, 11 & 12:30
New prices beginning in October: Sun to Thur $10+15 min.
Fri & Sat $20+15
New York City's Newest Jazz Hang
In The Heart of Greenwich Village
Fri.-Sat. October 12, 13
Joe Chambers, drums, vibraphone
Misha Tsiganov, Piano
Richie Goode, Bass
Jaz Sawyer, drums
Combining hip-hop gestures with straight-ahead trends, Joe Chambers pushes the modern mainstream envelope toward broader acceptance. Jim Santella, All About Jazz
About Joe Chambers
A member of the '60s fraternity that recorded some of Blue Note's greatest music, Joe Chambers can lay claim to a place alongside such innovative artists as Freddie Hubbard, Wayne Shorter, McCoy Tyner, Herbie Hancock and Bobby Hutcherson.
Born in Stoneacre, Virginia and raised in the Philadelphia area, Chambers worked around the Philadelphia area in his late teens and moved to Washington, D.C. in 1960.
In D.C., Chambers worked the famous Bohemian Caverns. Working in the Caverns, Joe had the opportunity to meet outstanding artists who performed in the area, and was urged to come to New York by Eric Dolphy, Freddie Hubbard and Wayne Shorter.
Arriving in New York in 1963, he performed and recorded with several of the more progressively inclined musicians associated with the Blue Note label. Some of Chambers' recording credits include: Freddie Hubbard's “Breaking Point"; Bobby Hutcherson's “Components," “Total Eclipse" and “Happenings"; Wayne Shorter's “ Adam's Apple," “Etcetera" and “The All Seeing Eye"; McCoy Tyner's “Tender Moments"; Charles Mingus' “Like a Bird"; and Chick Corea's “Tones for Jonas Bones." In 1970, Chambers joined Max Roach's percussion ensemble, M'Boom as an original member. Touring and recording throughout the 70's, M'Boom also released three albums, for Columbia, with Chambers contributing as featured composer and arranger.
35 West 8th St (bet. 5th & 6th Aves.)
NYC * tel 212-388-9099
Oct. New Set Times: 9, 11 & 12:30
New prices beginning in October: Sun to Thur $10+15 min.
Fri & Sat $20+15
New York City's Newest Jazz Hang
In The Heart of Greenwich Village
Fri.-Sat. October 12, 13
Joe Chambers, drums, vibraphone
Misha Tsiganov, Piano
Richie Goode, Bass
Jaz Sawyer, drums
Combining hip-hop gestures with straight-ahead trends, Joe Chambers pushes the modern mainstream envelope toward broader acceptance. Jim Santella, All About Jazz
About Joe Chambers
A member of the '60s fraternity that recorded some of Blue Note's greatest music, Joe Chambers can lay claim to a place alongside such innovative artists as Freddie Hubbard, Wayne Shorter, McCoy Tyner, Herbie Hancock and Bobby Hutcherson.
Born in Stoneacre, Virginia and raised in the Philadelphia area, Chambers worked around the Philadelphia area in his late teens and moved to Washington, D.C. in 1960.
In D.C., Chambers worked the famous Bohemian Caverns. Working in the Caverns, Joe had the opportunity to meet outstanding artists who performed in the area, and was urged to come to New York by Eric Dolphy, Freddie Hubbard and Wayne Shorter.
Arriving in New York in 1963, he performed and recorded with several of the more progressively inclined musicians associated with the Blue Note label. Some of Chambers' recording credits include: Freddie Hubbard's “Breaking Point"; Bobby Hutcherson's “Components," “Total Eclipse" and “Happenings"; Wayne Shorter's “ Adam's Apple," “Etcetera" and “The All Seeing Eye"; McCoy Tyner's “Tender Moments"; Charles Mingus' “Like a Bird"; and Chick Corea's “Tones for Jonas Bones." In 1970, Chambers joined Max Roach's percussion ensemble, M'Boom as an original member. Touring and recording throughout the 70's, M'Boom also released three albums, for Columbia, with Chambers contributing as featured composer and arranger.
For more information contact All About Jazz.
