| TW | LW | 2W | Artist | TW | LW | Move | Add | Rpts | Peak | Wks |
| 1 | 2 | 3 | Doctor Lonnie Smith Too Damn Hot (Palmetto — PM 2105) | 274 | 219 | +55 | 0 | 49 | 1 | 12 |
| 2 | 6 | 10 | Shelly Berg Trio Blackbird (Concord Jazz — 2216-2) | 256 | 196 | +60 | 9 | 52 | 2 | 5 |
| 3 | 1 | 1 | Steve Turre The Spirits Up Above (HighNote) | 228 | 223 | +5 | 0 | 51 | 1 | 12 |
| 4 | 3 | 2 | Eric Alexander Dead Center (HighNote — HCD 7131) | 225 | 201 | +24 | 0 | 45 | 1 | 13 |
| 5 | 3 | 12 | David Sanborn Closer (Verve Music Group) | 216 | 201 | +15 | 4 | 44 | 3 | 3 |
| 6 | 5 | 5 | Jim Snidero Close Up (Milestone) | 200 | 200 | 0 | 1 | 41 | 5 | 14 |
| 7 | 33 | — | Stefano di Battista Parker’s Mood (Blue Note) | 198 | 84 | +114 | 25 | 48 | 7 | 2 |
| 8 | 7 | 7 | Orbert Davis Blue Notes (3 Sixteen) | 194 | 192 | +2 | 5 | 47 | 7 | 7 |
| 9 | 12 | 22 | Christian Jacob Styne and Mine (WilderJazz) | 193 | 148 | +45 | 6 | 45 | 9 | 3 |
| 10 | 8 | 6 | Queen Latifah The Dana Owens Album (Qwest) | 190 | 182 | +8 | 0 | 37 | 5 | 13 |
| 11 | 9 | 28 | Jay Leonhart Cool (Sons of Sound — 0022) | 181 | 157 | +24 | 6 | 49 | 9 | 3 |
| 12 | 13 | 29 | Caribbean Jazz Project Here and Now: Live In Concert (Concord Picante) | 178 | 144 | +34 | 4 | 43 | 12 | 5 |
| 13 | 11 | — | Lincoln Center Jazz Orchestra A Love Supreme (Palmetto) | 157 | 150 | +7 | 4 | 45 | 11 | 2 |
| 14 | 10 | 4 | Houston Person To Etta With Love (HighNote — HCD 7127) | 147 | 154 | -7 | 0 | 30 | 2 | 13 |
| 15 | 24 | — | Ken Walker Sextet Terra Firma (Synergy Music) | 130 | 101 | +29 | 11 | 33 | 15 | 2 |
| 16 | 14 | 19 | Tony Monaco Firey Blues (Summit — 425) | 129 | 139 | -10 | 1 | 27 | 13 | 14 |
| 17 | 15 | 8 | Ken Peplowski Easy To Remember (Nagel Heyer — 2043) | 122 | 122 | 0 | 0 | 33 | 7 | 13 |
| 17 | — | — | David “Fathead” Newman I Remember Brother Ray (HighNote) | 122 | — | +122 | 17 | 20 | 17 | 1 |
| 19 | 19 | 25 | Michael Wolff Dangerous Vision (Artimas) | 118 | 111 | +7 | 2 | 29 | 17 | 11 |
| 20 | 16 | 15 | Pucho & His Latin Soul Brothers The Hideout (Milestone) | 117 | 119 | -2 | 2 | 29 | 12 | 11 |
| 21 | 26 | — | Michel Camilo Solo (Telarc Jazz — 83613) | 111 | 98 | +13 | 10 | 36 | 21 | 2 |
| 21 | 27 | 20 | Mike Longo and the New York State of the Art Jazz Ensemble Oasis (CAP — 982) | 111 | 97 | +14 | 0 | 20 | 7 | 16 |
| 23 | 18 | 17 | Deep Blue Organ Trio Deep Blue Bruise (Delmark — DE-556) | 109 | 113 | -4 | 1 | 28 | 7 | 14 |
| 24 | 38 | 36 | Sasha Dobson w/The Chris Byars Octet The Darkling Thrush (Smalls Records) | 107 | 77 | +30 | 0 | 34 | 24 | 3 |
| 25 | 20 | 11 | Martijn van Iterson Quartet The Whole Bunch (Munich Records — BMCD 446) | 106 | 105 | +1 | 0 | 23 | 11 | 13 |
| 26 | 28 | 40 | Roditi / Ignatzek / Rassinfosse Light In The Dark (Nagel Heyer — 2047) | 105 | 92 | +13 | 5 | 33 | 26 | 3 |
| 27 | 20 | 13 | Wallace Roney Prototype (HighNote) | 102 | 105 | -3 | 2 | 35 | 8 | 11 |
| 28 | 17 | 8 | Paradigm Shift Shifting Times (Nagel Heyer) | 101 | 116 | -15 | 0 | 35 | 8 | 12 |
| 28 | 22 | 14 | Clark Terry Porgy & Bess (Americana Music/A440 Music Group — 9002) | 101 | 103 | -2 | 0 | 25 | 5 | 20 |
| 30 | 32 | — | Carl Amundson & The Modern Guitar Quintet Guitarists (Blue Line Music — BLM 0204) | 98 | 85 | +13 | 4 | 27 | 30 | 2 |
| 31 | 24 | 18 | Madeleine Peyroux Careless Love (Rounder) | 94 | 101 | -7 | 1 | 29 | 5 | 19 |
| 31 | 29 | 30 | Leslie Pintchik So Glad To Be Here (Ambient) | 94 | 90 | +4 | 1 | 22 | 29 | 7 |
| 33 | — | — | Jim Pearce Washington Square Park (Oak Avenue Publishing — 8253466173) | 86 | 62 | +24 | 5 | 25 | 33 | 1 |
| 34 | 22 | 16 | New Stories Hope Is the Air: Music of Elmo Hope (Origin) | 84 | 103 | -19 | 1 | 23 | 6 | 14 |
| 35 | 31 | 34 | Chaka Khan Classikhan (AGU Sanctuary Records — 8752) | 81 | 87 | -6 | 0 | 22 | 29 | 11 |
| 36 | — | — | Will Martin Morning (Saguaro Beach) | 80 | — | +80 | 15 | 31 | 36 | 1 |
| 36 | 42 | 42 | Al Jarreau Accentuate The Positive (Verve Music Group — 01312) | 80 | 73 | +7 | 0 | 22 | 3 | 26 |
| 38 | — | — | Wynton Marsalis Unforgivable Blackness: The Rise and Fall of Jack Johnson (Blue Note — 64194) | 79 | 45 | +34 | 19 | 29 | 38 | 1 |
| 38 | 37 | 23 | Joe Sample Soul Shadows (Verve Music Group — B0002834-02) | 79 | 80 | -1 | 0 | 20 | 13 | 15 |
| 40 | — | 26 | Ray Charles Genius Loves Company (Concord — 2248) | 78 | 61 | +17 | 0 | 21 | 6 | 25 |
| 41 | — | — | The Jim Seeley/Arturo O’Farrill Quintet (Zoho Music — 200501) | 77 | 59 | +18 | 12 | 33 | 41 | 1 |
| 41 | 41 | — | Roger Kellaway I Was There - Roger Kellaway Plays From The Bobby Darin Songbook (IPO Recordings) | 77 | 75 | +2 | 6 | 29 | 41 | 2 |
| 43 | 29 | 33 | Phil Woods This Is How I Feel About Quincy (Jazzed Media — 783707946627) | 76 | 90 | -14 | 0 | 24 | 2 | 17 |
| 44 | — | — | Jason Moran Same Mother (Blue Note — 7243 5 71780 2 9) | 75 | 37 | +38 | 7 | 20 | 44 | 1 |
| 45 | 35 | 42 | Linda Ronstadt Hummin’ to Myself (Verve Music Group — B0000887-02) | 73 | 82 | -9 | 0 | 15 | 26 | 7 |
| 46 | 44 | 24 | Elvin Jones Jazz Machine The Truth (Half Note Records) | 71 | 67 | +4 | 0 | 21 | 23 | 14 |
| 47 | — | 41 | Anthony Wonsey Blues For Hiroshi (Sharp Nine) | 69 | 51 | +18 | 0 | 22 | 21 | 14 |
| 48 | — | — | Corey Christiansen Awakening (Mel Bay) | 68 | — | +68 | 18 | 22 | 48 | 1 |
| 48 | 43 | 20 | Manuel Valera Forma Nueva (MAVO Records — 1101) | 68 | 69 | -1 | 0 | 22 | 19 | 14 |
| 50 | — | — | Ed Neumeister Quartet New Standards (Meistero) | 67 | 27 | +40 | 18 | 24 | 50 | 1 |
JazzWeek Radio Chart: February 2, 2005
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