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Jazz This Week: Houston Person; "Rapology" with Troupe, Bell and Burrage; Larry Ochs; "A Jazz Heaven"; and More

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It's another busy week for jazz and creative music in St. Louis, so let's go right to the highlights:

Tonight, saxophonist Houston Person (pictured) opens a four-night stand that continues through Saturday at Jazz at the Bistro. A seasoned veteran who's had a lifetime of experience wrapping blues, bop and ballads into a crowd-pleasing package, Person was in St. Louis most recently at the end of August to perform in a benefit concert at Harris Stowe State University for the Wolff Jazz Institute.

You can see a video sample of his playing in a post previewing that show here, and hear a podcast interview with Person here. Note also that tickets for some of Person's sets will be available at half price if purchased in advance via Metrotix.

Also tonight, the Washington University Music Department presents its “Chance Aesthetics" concert at the 560 Music Center, 560 Trinity in University City. The free event will feature performances of music by John Cage and Terry Riley, plus an improvised piece.

On Thursday, guitarist William Lenihan leads a tribute to Miles Davis' classic album Birth of the Cool in a free concert for the Jazz at Holmes series at Washington University

There are three noteworthy shows on Friday, starting with the first of two nights of the Quincy Troupe/Kelvyn Bell/Ronnie Burrage collaboration “Rapology" at Robbie's House of Jazz. For more about Troupe, Bell and Burrage plus some video samples of all three in action, see this post.

Also on Friday, New Music Circle presents saxophonist Larry Ochs' Sax and Drumming Core at the Sheldon Concert Hall. Ochs, who's known for his work with the Rova Saxophone Quartet, will be joined by drummers Donald Robinson and Scott Amendola, Natsuki Tamura on trumpet, and Satoko Fujii on synthesizer and piano to perform a mix of original compositions and collective improvisations.

That same evening, the Saint Louis Symphony Orchestra presents “Swing, Swing, Swing" a program of swing music including songs made famous by Duke Ellington, Tommy Dorsey and Glenn Miller, just around the corner from the Sheldon at Powell Symphony Hall.

On Saturday night, the Chicago Afrobeat Project returns to The Gramophone.

Then on Sunday, the St. Louis Jazz Club presents clarinetist Bud Shultz and the You Can't Beat Experience Jazz Band in a matinee performance of traditional New Orleans style jazz and swing at the Doubletree Hotel in Chesterfield.

Also on Sunday afternoon, singer Wendy Gordon and a cast of musicians and singers including longtime local favorite Jeanne Trevor will perform Gordon's cabaret musical A Jazz Heaven at the Kranzberg Arts Center. For more about the production, which pays tribute to jazz icons including Billie Holiday, Ella Fitzgerald and Miles Davis, see these two posts.

Looking beyond the weekend, on Monday the Chicago-based guitarists Andreas Kapsalis and Goran Ivanovic will perform a duo show at The Gramophone.

Tuesday evening brings the monthly meeting of Jazz St. Louis' CD Listening Club at Borders bookstore, 1519 S. Brentwood Blvd. in Brentwood. This month's featured CD, Herbie Hancock's Maiden Voyage, will be discussed by JSL executive director Gene Dobbs Bradford and Dr. Gerald Early of Washington University.

Then on Wednesday evening, Jazz St. Louis will present a free concert of Hancock's music by keyboardist Adaron “Pops" Jackson and his group at the Community Music School of Webster University, 535 Garden Avenue in Webster Groves.

For more jazz and creative music events this weekend and beyond, check out the St. Louis Jazz Notes Calendar, available for viewing on the left sidebar or by clicking here.

(If you have calendar items, band schedule information, news tips, links, or anything else you think may be of interest to StLJN's readers, please email the information to stljazznotes (at) yahoo (dot) com. If you have photos, MP3s or other digital files, please send links, not attachments.)

(Edited after posting to fix a formatting problem.

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This story appears courtesy of St. Louis Jazz Notes by Dean Minderman.
Copyright © 2020. All rights reserved.

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