This plays like Vince Guaraldi for a new generation, as Harry Connick Jr. performs an all-original, Christmas-themed set that recalls the spirit of the season without falling into the cliches that often follow better known Yuletide classics.
And Connick's done his shareincluding the 2003 best-selling album Harry for the Holidays, which featured the original vocal version of The Happy Elf." There followed a TV program, a stage production and a new children's book on the same themeabout this helper for Santa who saves a town full of naughty youngsters from missing out on Christmas.
Music from 'The Happy Elf', however, stays well away from his earlier holiday projects' often very standard fare, not to mention their more-expected singer-led big band arrangements. This albumhis fourth in the Connick on Piano series for Marsalis Musicinstead is, after its first-track reading from the new book, a cleverly delivered trio recording that surprises as often as it delights.
I mention Guaraldi only for his cultural importance as a doorway for many into jazz each holiday season; the truth is, Connick shows far more improvisational range. There's Santarrific," where a roiling stride opening gives away to this lean, thrumping swing. And Naughty Children of Bluesville," which comes off like a finger-popping, soul-drenched O Tannenbaum." Then there's the West Coast cool of Christmas Day," and the undulating propulsion of Gotta Be On My Way."
The songs, originally penned for the stage musical of The Happy Elf, are interpreted in a deeply joyful way, unfettered by the draggy sentiment that threatens to sink many such projectsand the perfect salve for people who are starting to get sick of Christmas music right about now. Accompanied by two mainstays of his big band, bassist Neal Caine and drummer Arthur Latin, Connick plays with a jazzman's verve and a New Orleans native's gumption.
My favorite new Yuletide release.
This story appears courtesy of Something Else!.
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