I'm not one to quote Wikipedia, but this time around it makes perfect sense: Smooth jazz is a sub-genre of jazz which is heavily influenced by R&B, funk, rock, and pop music styles (separately, or, in any combination)." This is an interesting definition because it highlights the point of contention: Is smooth jazz actually jazz?
For the most part, the question has never really bothered me all that much. Oh sure, I used to be in the SmoothJazzHatersClub, but after a while I realized that I was wasting my energy. It's no great affront to the universe if somebody thinks that instrumental pop music is jazz. Besides, there was all of that music coming out of the CTI label, real" jazz musicians who were smoothing off the edges. Hey, if people were interested in some background music with a positive vibe, what was the harm? It's not like they were hurting anyone by picking George Benson over Thelonious Monk.
I do remember when I bought my copy of Grover Washington Jr.'s Live at the Bijou. My jazz snobbery hadn't even been formed yet, and all I knew is that the album was a lot of fun. Heck, I'm pretty sure that I wasn't even aware of the concept of smooth jazz at the time. I'm pretty sure the album sat on the shelf not too far away from Chuck Mangione's Feels So Good. Grover Live was recorded back in 1997, not long after Soulful Strut was released. Recorded at the Paramount Center for the Arts in Peekskill, New York, the sound is is indeed very live, with a lot of room in the mix. Grover's saxophone playing is wide-ranging and full of emotion. On top of that, his band was just killer, with funk-a-licious drums, muscular bass, and soul-drenched keyboards. This music isn't so much influenced by funk as actually steeped in it.
In addition to Soulful Strut," the record is just chocked-full of Grover signature tunes including Just The Two Of Us," Winelight," and Mr. Magic." My favorite is the ultra-funky take on Dave Brubeck's Take Five." Damnation, but his band could funk out!
But ... is it jazz or smooth jazz? Maybe Wikipedia has the answer. Me? I'll just be content to let the funk flowa bittersweet reminder that Washington's life was cut short all too soon.
As a songwriter and vocalist, I love jazz for the experience of being in the center of intense creativity. It is the most potent form of music for keeping the artist and the audience in the 'now. Being in the moment is essential for humans, and we need help in learning how to do that. As a songwriter, I need the depth of musicality that jazz voicings can give my stories. My songs seem light and whimsical, but the message is not.
I met my main collaborator, Mark Fitzgibbon, at one of his gigs. I needed to do my first original album, and his playing was masterful, robust, and beautiful. At the time, I didn't realize how suited we were as a team. We're onto our 4rth album together.
My advice to new listeners is to listen to a really clear and simple version of a song so you can then hear what the musicians are doing and enjoy their creativity and musicality. Also, you have to see jazz live to appreciate it fully. You'll never feel it the same way listening to a CD or online. You need the vibration to go through your body to really get it!
We sent a confirmation message to . Look for it, then click the link to activate your account. If you don’t see the email in your inbox, check your spam, bulk or promotions folder.
Thanks for joining the All About Jazz community!