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Gonzalo Rubalcaba: A Pianist Happy to Let Others Do the Driving

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About a year and a half ago the redoubtable Cuban pianist Gonzalo Rubalcaba took a new band into the studio. He had broken in his sidemen, a clutch of young New York progressives, with a weeklong run at the Jazz Standard. It was minimal preparation, given the demands of the music involved, and yet it produced strong results: “Avatar,” released on Blue Note last year, is one of his warmest and most rewarding albums.

Mr. Rubalcaba and his crew are back at the club this week, as part of a programming blitz tied to Blue Note’s 70th anniversary. Their second set on Tuesday had all the spark and sophistication of “Avatar,” from which it drew exclusively. But every aspect of the music felt hardier and more intuitive, more fully absorbed into the metabolism of the group.

The front line, with Mike Rodriguez on trumpet and Yosvany Terry on saxophones, fell into sync with exacting ease, sounding bright and sleek. The rhythm section, anchored by the perceptive bassist Matt Brewer and the astutely nimble drummer Marcus Gilmore, fed a sort of jet-stream propulsion, shifting among styles and tempos without a perceptible hitch. (Mr. Gilmore is scheduled to play again on Friday; his replacement on the other two remaining nights, Justin Brown, has some difficult shoes to fill.)

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