The Doobie Brothers' ex-frontman sneaks in a few of his former band's more popular tunes during a new Eagle Rock Entertainment DVD, This Christmas: Live in Chicago." Thankfully, though, Michael McDonald leaves behind the treacly synth-soaked production values of those old records.
I'd often wondered what it would have been like if McDonald had been able to tear through those blue-eyed soul sides with a smart, straight-ahead R&B band, not to mention some juking backup singers. That's exactly what I got, and in the most surprising of placesa Yuletide concert movie. This new 18-song release begins and ends with songs from his career with the Doobies and as a solo artist and, for me, they provide the film's lasting impressions.
McDonald does the most dramatic remodeling to the Doobie Brothers' former chart-topper What A Fool Believes."
He drops the song's dated keyboard signature, instead slow roasting it into a soul-lifting vamp. Even as he retains that mercurial, smoky baritone, McDonald occasionally struggles to get to the highest part of the range he had in the late 1970s. But that only gives this scuffed-up re-do a new emotional heft.
There are times when McDonald couldn't sound more broken by the realization that this love hasn't turned out as he planned.
Similarly, McDonald moves in and around the familiar tick-tock chorus of the 1979 hit Minute by Minute," with a raw authority, bellowing and then crying with unreserved abandon. The tune begins with a wandering turn at the acoustic piano (rather than on the original Rhodes), before McDonald leaves aside these late-night musings to dive headlong into its memorable opening crescendo. Guitarist Bernie Chiaravalle, who has toured with the Doobies, then toughens up the arrangement with a series of short, sharp licks.
It Keeps You Runnin,'" the 1976 Top 20 hit that opens this DVD, is completely reimagined as a rollicking back-pew blues, with another crackling guitar riff from Chiaravalle, gurgly organ fills and stomping horns. McDonald is almost subsumed at times by the rising chorus of grease-popping soul behind him. Vince Denham is a brash, honking delight on the saxophonesending the assembled Chicagoland crowd into a frenzy.
Not that the Christmas songs don't resonate. McDonald's voice holds too much dusky nuance for them not to. He includes a couple of originals, notably the Louisiana-themed hoot Christmas on the Bayou"; further indulges his recent penchant for Motown do-overs with Stevie Wonder's That's What Christmas Means to Me"; and dutifully covers long-cooled chestnuts like I'll Be Home for Christmas," White Christmas/Winter Wonderland" and Have Yourself a Merry Little Christmas," among others. (The DVD also includes a lovely bonus version of Leonard Cohen's Hallelujah.")
But, in one form or another, we've heard all of that before. I kept coming back to his stuff with the Doobies.
McDonald can come off as a guilty pleasure, but only because his powerfully emotive voice was so often caught in a gauzy web of too-slick production. (Well, that and the fact that he so radically altered the elemental biker-boogie sound of the Doobies.) On This Christmas," he reclaims the work by turning those songs into a growling R&B testimony. McDonald also delves into a solo career that somehow never recaptured the consistent hitmaking magic of his time with the Doobie Brothers.
I Keep Forgettin,'" his No. 4 hit from 1982, is given a more conventional readingbut McDonald pulls so much out of the lyric that at times he falls behind the beat. As the period-piece synthesizers are again pushed back in the mix, you'll find McDonald riffing through other parts of the verse with the manner and fervor of a horn player. It's like he's singing the song for the very first time. Denham's solo here, on the other hand, is a bit too conventional, but I Keep Forgettin'"stripped back to its emotional coreeasily survives this small misstep.
Sweet Freedom," a lightweight soundtrack contribution from McDonald for the 1986 film Running Scared," was never going to be confused with the cool urban soul he brought to the best of his work with the Doobies. Yet on This Christmas," McDonald kindles a passion as warm as it is surprising.
That starts by adding a Stax/Volt-inspired horn arrangement to go with McDonald's bordello-shaking piano. Pat Coil takes a ruminative turn on the Hammond B-3 that recalls The Band's Garth Hudson, while the raucous group of background singers fronted by Drea Rhenee provides a saucy new counterpoint. Then, something special happens: McDonald opens up the ending of the song, hurtling it into a more free-form place. Chiaravalle takes over for a plucky turn on the guitar, drummer Yvette Preyer begins smashing with fresh abandon, and a discarded MOR curio finds new life.
Takin' It To The Streets," a No. 13 hit in 1976 and this DVD's closing tune, was a moment when the McDonald-era Doobies sounded the most like their previous selvesand, to me ear, the least hampered by the production values of the day. Even it sounds born again on This Christmas."
Reformulated here as a rafter-raising gospel number, Streets" finds Rhenee moving up front for a pleasingly bawdy turn at the microphone. The song, already a great sing-along number, is somehow made even more expansive. By the end, as Rhenee begins a forceful call-and-response with the band, there is a joyful noise that surpasses any of the Christmas-related offerings that came before.
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