Chico Hamilton’s drumming with the original Gerry Mulligan Quartet and his own small groups helped introduce many young listeners to jazz in the 1950s. His death last week in New York brought a reaction from Don Conner that may strike a chord with other Rifftides readers.
In addition to providing early exposure for Dolphy and guitaritsts Jim Hall, Larry Coryell and Gabor Szabo, Hamilton’s quintets were launching pads for bassist Ron Carter and saxophonist Charles Lloyd, among other developing jazz artists. Hamilton worked steadily, as well as teaching at New York’s New School for Jazz and Contemporary Music. He recorded his last album, Revelation, in 2011.
R.I.P. Chico Hamilton!Hamilton’s popularity, already high, broadened in 1958 after Bert Stern captured his quintet at the Newport Jazz Festival as part of the film Jazz on a Summer’s Day. In this edition of the band, Hamilton’s sidemen were Eric Dolphy, flute; John Pisano, guitar; Nat Gershman, cello; and Hal Gaylor, bass. In Buddy Collette’s composition “Blue Sands,” the main feature is Hamilton’s skill with mallets.
Chico died recently at 92. This was meaningful to me as Chico’s group was the first live band I’d ever heard. I was 18 and L.A. was dark and mysterious. I was in the military. Needless to say, my naiveté was off the charts. I had never heard of Chico or his sidemen, whom I later found out consisted of Buddy Collete on reeds, Fred Katz on cello and probably Jim Hall on guitar. Ah a little history and nostalgia.
In addition to providing early exposure for Dolphy and guitaritsts Jim Hall, Larry Coryell and Gabor Szabo, Hamilton’s quintets were launching pads for bassist Ron Carter and saxophonist Charles Lloyd, among other developing jazz artists. Hamilton worked steadily, as well as teaching at New York’s New School for Jazz and Contemporary Music. He recorded his last album, Revelation, in 2011.
