Tis the season for jazz tribute recordings. Taking a look at CD projects honoring the musical legacies of Jackie McLean
, Marian McPartland
, Oscar Peterson
, Dinah Washington
, Grover Washington Jr.
and Attila Zoller
Various Artists Message to Attila: The Music of Attila Zoller
The late Attila Zoller was an important but somewhat obscure link between the American and European jazz scenes who also bridged the gap between swing jazz and the avant-garde. The guitarist, composer and educator began his career in Budapest and ended it at his Vermont Jazz Center. Guitarists and a few non-guitarists honor Zoller’s legacy by performing his compositions on this project, and six also recorded messages of what he meant to them.
Participants included guitarists John Abercrombie, David Becker, Peter Bernstein, Gene Bertoncini, Helmut Kagerer, Pat Metheny (in a 1998 track with the late Jim Hall), Mike Stern, bassist Ron Carter, vibes player Wolfgang Lakerschmid, and pianist Eugene Uman. Favorites: the Hall-Metheny take on “The Birds and the Bees,” Bertoncini’s duo with Ron Carter on “When It’s Time,” Abercrombie’s trio take on “Waltz for Joy,” Kagerer’s solo version of “Ulla’s Memories” and a Bernstein/Becker’s cover of “Samba Caribia.”Champian Fulton After Dark
Oklahoma-born, New York-based pianist and singer Champian Fulton tips a mighty hat on this CD to her biggest jazz vocal hero, the late Dinah Washington. Ten of the tunes on After Dark
are from the Washington songbook. Fulton’s sweet vocals and bluesy piano style are backed here by bassist David Williams and drummer Lewis Nash, with her father, trumpeter Stephen Fulton, joining on four tracks. Gems include “Ain’t Misbehavin,” “A Bad Case of the Blues,” “Baby Won’t You Please Come Home” and Fulton’s original “Midnight Stroll,” a solo piano piece deeply influenced by fellow Oklahoman Jay McShann. Fulton honors Washington’s legacy here in a way that also spotlights her own formidable skills.
Jacknife The Music of Jackie McLean
San Francisco Bay area saxophonist Steven Lugerner
has been using his quintet Jacknife to dig deep into alto saxophonist Jackie McLean’s edgy post-bop recordings. The material on this CD was drawn from four seminal 1960s Blue Note albums: Jacknife, It’s Time, Let Freedom Ring
and New Soil.
Lugerner’s band includes pianist Richard Sears, bassist Garret Lang, drummer Michael Mitchell and trumpeter JJ Kirkpatrick.Favorites: their takes on McLean’s classic blues “Das Dat,” Charles Tolliver’s “On the Nile,” McLean’s teasing, twisting “Melody for Melonae” and his blues “Hip Strut.”Jason Miles To Grover With Love / Live in Japan
(Whaling City Sound)
Perhaps more than any other musician of his day, saxophonist Grover Washington Jr. created an instrumental crossover sound blending straight-ahead jazz with the energy and soul of R&B. He had a sound all his own, and keyboardist Jason Miles pulled together a band to honor that legacy in live performance. This session, recorded at the Blue Note jazz club in Tokyo in June 2010, dug into material from a 1997 Washington performance at New York’s Paramount Theater.
Miles’ funky septet featured hard-driving tenor players Andy Snitzer and Eric Darius (sometimes featured separately, sometimes going head to head), bassist Gerald Veasley and percussionist Ralph McDonald (both Grover band alumni), guitarist Nick Moroch and drummer Buddy Williams. Ryan Shaw added guest vocals on “Just the Two of Us.” Favorite tracks: their takes on several classic Grover hits: “Winelight,” “Lorans Dance,” Marvin Gaye’s “Inner City Blues” and MacDonald’s “Mr. Magic.” Thanks to projects like this, Grover’s musical spirit remains alive and well. Roberta Piket One for Marian: Celebrating Marian McPartland
Marian McPartland was best known as a jazz pianist and longtime broadcaster, hosting the classic public radio program Piano Jazz
for more than 30 years.Roberta Piket wants us to pay more attention to McPartland’s legacy as a composer. Her newest CD, One for Marian,
does that as Piket and her band perform McPartland material plus two original tribute tunes, the title track “One for Marian” and the elegiac “Saying Goodbye.” McPartland covers on this project include “Threnody” (written as a musical portrait of Mary Lou Williams), “Ambience,” “In the Days of Our Love” (for which Peggy Lee wrote lyrics) and “Kaleidoscope,” which became the Piano Jazz
theme song. The band includes saxophonists Virginia Mayhew and Steve Wilson, trumpeter Bill Mobley, bassist Harvie S. and drummer Billy Mintz. Singer Karrin Allyson joins Piket for a duet version of “Twilight World,” a McPartland tune for which Johnny Mercer penned lyrics.
Various Artists Oscar, With Love
This three-CD set is a stunning salute to the late pianist Oscar Peterson. Sixteen top jazz pianists brought their own interpretations to a wide range of Peterson compositions—recording all of them on his Bosendorfer Imperial piano in his home studio near Toronto. The collection includes 19 of Peterson’s best-known pieces, 10 compositions that were never recorded previously, and seven compositions that the featured pianists wrote in tribute to Peterson (such as Chick Corea’s “One for Oscar”). The participating pianists included Corea, Lance Anderson, Monty Alexander, Kenny Barron, Robi Botos, Bill Charlap, Gerald Clayton, Peterson protégé Benny Green, Hiromi, Oliver Jones, Justin Kauflin, Ramsey Lewis, Michel Legrand, Audrey Morris, Makoto Ozone and Renee Rosnes.
The previously unrecorded pieces included Legrand’s performance of “Dream of Me,” Oliver Jones’ take on “Celine’s Waltz,” which Oscar wrote for his daughter, and Ramsey Lewis’s exploration of the ballad “If I Love Again.” Gerald Clayton honored Peterson with his cover of Oscar’s civil rights anthem “Hymn to Freedom.” Charlap and Rosnes performed separately and also teamed on a four-hand version of “Sushi.” Favorites included Barron’s take on “Ballad for Benny Carter,” Rosnes’ version of Peterson’s “Love Ballade,” Botos’ version of Peterson’s majestic “Wheatland,” Hiromi’s zippy take on the playful “Oscar’s New Camera” and bassist Dave Young’s solo elegy, “Goodbye Old Friend.” What an ambitious project, recorded over 10 months and so beautifully delivered by Oscar’s widow, Kelly Peterson. There is much, much, much to savor.