How many solo saxophone records have I heard? A good many. Are they all wonderful? No. If the player is not imspired or comes to the date unprepared, it can be slow going for the listener. Happily that is not the case with Blaise Siwula's Live in London (No Frills Music 001).
It's from two separate live appearances in 2008. He switches to clarinet on one track and Alan Wilkinson joins him on the baritone for the final number.
What I find excellent is how Blaise creates differing spontaneous compositions (free playing, if you like) by concentrating on the rich possibilities that the tenor offers. Siwula channels the big, timbrally complex sound worlds. Like Ayler and the Texas tenors, Blaise Siwula gets a sound that has wide expressive impact. Yet he doesn't really sound like those players because he has worked through his own take on the sounds.
It's free saxology from the nether regions of the land of Wail. And it's about as good an example as I've heard in a few years. Just as Blaise and Alan Wilkerson go out with a madcap flourish on the final number, you should do the same. Go out and get thisor Google Blaise and find a way to order it. But don't expect toe tapping. Do expect to set your MIND tapping.
This story appears courtesy of Gapplegate Music Review by Grego Edwards.
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