2009 Earshot Jazz Festival
By Lloyd Peterson
Now in its 24th year, the Seattle Earshot Jazz Organization has created and developed one of America's most artistically diverse Jazz festivals. Avoiding the pitfalls of focusing exclusively on musicians with mainstream name recognition, Executive Director John Gilbreath continues to prioritize the uncompromising creative aspects of jazz and global music.
A clear objective of Earshots mission is to provide listeners with the opportunity to experience music that expresses artistic integrity from the many global cultures that have come to appreciate, and create from the American art form of Jazz. And though that's a large part of the greatness of this music, it's not always welcomed within many mainstream media publications. When you consider the expectations of sponsors, Gilbreath's vision is not an easy one to sustain.
What began as a grassroots non-profit organization that focused on local talent, Gilbreath has successfully put forth the uphill tough grind it takes to acquire funding from local corporations. As a result, Earshot is now able to tap into the well of some of the world's greatest progressive creative talent. Today, Earshot has patrons that travel to the festival from as far as Canada and Europe, which clearly reflects the success of his vision and fortitude. It's also a direct reflection of how far fans will travel to experience a festival of this level of artistic merit.
John Gilbreath
There may be other festivals with similar mission statements, but Earshot has clearly become one of the leaders and visionaries in creative arts. And though Gilbreath may not have initially created the organization, he was the man that was willing to accept the risk and criticism that is inherent when pushing on the perceived sacred boundaries of tradition.
Special mention must go to Karen Caropepe, Fred Gilbert and Peter Monaghan, who have been mainstays over the years in their support to Earshot Jazz - every arts organization should be so fortunate. And to the very talented and upcoming writer, Peter Walton, whose commitment and knowledge of the music is only second to his own humanistic values. For more information on the Earshot organization along with future performance announcements, please go to: earshot
The Earshot Organization has also been very fortunate to have the support of award winning Pulitzer Prize photographer, Daniel Sheehan. I am sincerely honored to have his photographic contributions provided with this article along with my previous work, Music and the Creative Spirit. His incredible artistic work and contact information can be found at danielsheehan.com.
Here is the line up information for this years 2009 Earshot Jazz Festival. My recommendations are in italics. More detailed information can be found at the Earshot homepage linked above.
Garfield High School Jazz Band with special guest, Miguel Zenon
October 16th, The Triple Door, 7:00 pm & 9:30 pm
This years 2009 Earshot Jazz Festival kicks off with the Garfield High School Jazz Band with special guest, MacArthur Genius Grant award winner, Miguel Zenon. Led by Director Clarence Acox, who is becoming a legend in his own right, the Garfield Jazz Band has received awards from as far as New York City to Montreux, Switzerland and has played with such luminaries as Wynton Marsalis, Nicholas Payton, Joshua Redman, and Quincy Jones. But this isn't just a group of talented young musicians; these are individuals that find an amazing amount of inspiration in the music, but also support each other in a way that Seattle's local professional jazz musicians could learn from.
Miguel Zenon Quintet
Byron Vannoy's Merridian October 17th, The Triple Door, 7:30 pm
The Puerto Rican saxophonist, a brilliant star on the international jazz scene, and the newest faculty member at the New England Conservatory, brings his explosive new group to the main stage for Earshots opening weekend.
Tarbaby
October 17th & 18th, Tula's 8:30 pm
The creative collective of Stacy Dillard (saxophone), Orrin Evans (piano), and one of the most exciting rhythm sections in jazz today Nasheet Waits (drums) and Eric Revis (bass) swings with reverence and reckless abandon). This band is worth checking out just for the inclusion of Eric Reevis and Nasheet Waits, who as mentioned above, have become one of the strongest and most creative rhythm sections in jazz today.
Allen Toussaint Quartet
October 18th, The Triple Door, 7 & 9:30
An unforgettable evening with a true New Orleans legend. A Rock & Roll Hall of Fame inductee as a singer, pianist, producer, and composer, Toussaint presents his quartet of Renard Poche (guitar), Roland Gurin (bass), and Herman LeBeaux (drums).
Matt Wilson
October 18th, Seattle Art Museum, 8:00 pm
New York drummer Matt Wilson has never been afraid to challenge, entertain, and have fun! His outstanding quartet features Kirk Knuffke (trumpet), Jeff Lederer (alto sax & bass clarinet), and Chris Lightcap (bass). Presented in association with Cornish College of the Arts.
Matt Wilson Quartet & Roosevelt High School Jazz Band
October 19th, The Triple Door, 7:30
Matt Wilsons raucous New York quartet joins one of Seattles award-winningest high-school jazz bands. Another local High School Jazz Band program that has acquired a reputation on a national level behind the direction of Scott Brown.
3rd Man
October 19th, Chapel Performance Space, 7:30
Drummer Han Bennink, one of Europes most singular jazz artists, teams with longtime colleague Michael Moore (sax) and Brooklyn-based accordionist Will Holshouser to perform fast-paced, witty improvisations reminiscent of the late, lamented Clusone Trio. Han Bennink is one of the incredible pioneers who is responsible for an entire movement of music within the creative arts scene in Europe - a true legend. Additionally, Michael Moore has developed one of the warmest and most distinct voices on the saxophone and just may be its most underrated contributor.
McTuff Trio
October 19th, Tulas, 8:30
Funk and finesse from the time tested trio of Joe Doria, on Hammond B-3, Andy Coe on guitar, and DVonne Lewis on drums.
Trio M
October 20th, Seattle Asian Art Museum (Volunteer Park), 8:30
Trio M is a collective of Mark Dresser (bass), Matt Wilson (drums), and Myra Melford (piano). Thanks to thrilling and unpredictable interplay, says Wilson, “the results are spiritually rewarding and remarkably fun to witness." (Preceded at 7pm by a presentation of filmmaker Sarah Jane Lapps Animated Jazz Experiments with live music by Mark Dresser. Separate admission through NWFF; film patrons who bring stub to the concert receive half off concert admission.) Presented in association with Cornish College of the Arts. One of the “must see" performances of the festival.
Garfield High School Jazz Band
Chad McCullough Quintet
October 20th, Tulas, 8:30
The Seattle trumpeter and educator, an artist deserving of greater exposure, performs in support of his acclaimed Origin release, Dark Wood, Dark Water. His band features Slovakian pianist Michal Vanoucek, winner of the prestigious Deloitte Jazz Award in The Netherlands.
Earshot Jazz Film Festival
October 20 - November 5, Various venues
Earshot Jazz Festival and Northwest Film Forum present their 8th annual selection celebrating the intersections of jazz and cinema. As always, curator Peter Lucas has found some gems, including the Seattle-made documentary Icons Among Us, the acclaimed Guy And Madeline On A Park Bench (featuring musician Jason Palmer), and bassist Mark Dressers live accompaniment of jazz animations by Seattles Sarah Jane Lapp.
October 20 Animated Jazz Experiments, by Sarah Jane Lapp, with live accompaniment by Mark Dresser,
Seattle Art Museum, 7pm
Concert by Trio M follows at 8:30
Bring your film stub to receive half off concert admission.
October 30 & November 1 Guy and Madeline on a Park Bench, by Damien Chazelle,
Northwest Film Forum, 7pm & 9pm
October 31 & November 2 Icons Among Us, by Lars Larson, Michael Rivoira, & Peter J. Vogt,
Northwest Film Forum, 7pm & 9pm
Omar Sosa's Afreecanos Quartet
October 21st, The Triple Door, 7 & 9:30
Further explorations of Cuban pianist Omar Sosas charming musical spirit. Now living in Barcelona, his latest release, Across the Divide, explores further aspects of the African Diaspora. He performs on piano, Fender Rhodes, electronics, and vocals in a virtuosic, multinational quartet: Childo Tomas (Mozambique) on electric bass, kalimba, and vocals, Marque Gilmore (USA) on drums and electronics, and Mola Sylla (Senegal) on vocals, mbira, xalam, and kongoman.
Marc Seales Groups
October 21st & 22nd, Tulas, 8:30
Seattle pianist Marc Seales shows the breadth of his current artistic projects with The Paris Suite featuring Evan Flory-Barnes, Larry Barrileu, and DVonne Lewis on Wednesday, and the American Songbook group with Gary Hobbs, Dave Captien, Cuong Vu and Fred Hamilton on Thursday. Marc Seales is an icon within the local jazz community. I had the distinct pleasure of hearing him perform a few pieces of southern gospel tunes a few years ago. He may not agree, but I believe this is where his strength lies. A moving gospel player who should consider recording his own arrangements.
Matthew Shipp & Joe Morris
Peggy Lee & Saadet Trkz
October 21st, Seattle Asian Art Museum (Volunteer Park), 8:00
Peggy Lee (cello) and the mesmerizing Saadet Trkz (vocals) mix free improvisation with the Kazakh and Turkish forms of Trkzs childhood. After them, the inventive, challenging pianist Matthew Shipp returns to Earshot with his exciting duo featuriing guitarist-turned-bassist Joe Morris. Two visionaries in collaboration. Another “must see" performance. Vancouver cellist Peggy Lee is from across the border and has established her reputation as one of todays premier improvisers and has collaborated and recorded with the likes of Dave Douglas and Ken Vandermark.
Myra Melford Be Bread
October 23rd, Seattle Art Museum (Downtown), 8:00
Capping a week-long Cornish College residency, this remarkable electro-acoustic ensemble cleverly draws upon a myriad of influences, including the Hindustani forms that Melford studied in India. Joining her is an all-star lineup of instrumental heavy hitters: trumpet ace Cuong Vu, bassist-like-no-other Stomu Takeishi, drummer Matt Wilson, clarinetist Ben Goldberg, and the towering guitarist Brandon Ross. Presented in association with Cornish College of the Arts. This is one of today's greatest creative ensembles and will certainly be one of the strongest performances of the festival. Each one of these musicians has their own personal voice on their instrument. Its a rarity to find this kind of unique individual talent in one band and have it work so well. On a local note: The UW was somehow able to persuade the great trumpeter and composer, Cuong Vu to leave New York and teach within their music department. Vu previously collaborated with Pat Metheny and is breaking new ground with his own Trio that includes Stomu Takeishi. Stomu just might be the most innovative electric bassist on the planet today.
Toumani Diabate
Hal Galper Trio w/ John Bishop & Jeff Johnson
October 23 & 24, Tulas, 8:30
Well known for his work with Chet Baker, Cannonball Adderley, and Phil Woods, pianist Hal Galper brings crazy chops and a lifetime of jazz knowledge to each new project. As on the outstanding disc, Furious Rubato, he points to new directions for jazz with drummer John Bishop and bassist Jeff Johnson.
Helen Sung Trio
October 24th, Kirkland Performance Center, 8:00
Joyfully embracing jazz after a classical performance education, Sung has the background to fuel her engaging explorations and to attract top-flight sidemen like Adam Cruz on drums and Reuben Rogers on bass.
Ikue Mori & Zeena Parkins Phantom Orchard
Peggy Lee & Saadet Trkz
October 24, Chapel Performance Space, 8:00
Here is a one-of-a-kind, only-at-Earshot opportunity. Ikue Mori (electronics, computer, drum machines, live video) and Zeena Parkins (acoustic harp, electric harp, electronics) create daring original music that has been described as “gorgeously stimulating" and “full of endless resources." Peggy Lee (cello) and Saadet Trkz (vocals) present an acoustic duo, mixing free improvisation with the Kazakh and Turkish forms of Trkzs childhood. Presented in association with Nonsequitur. Ikue Mori and Zeena Parkins are two of the brilliant minds in creative arts. Ingenious and completely original..
Khoomei Taiko
October 25th, Town Hall Seattle, 7:30
Partnering ancient Mongolian and Japanese traditions, the Khoomei Taiko Ensemble presents cultural history while forging rare musical pathways.
Thomas Marriott plays the Music of Thomas Marriott
October 25, Tulas, 8:30
The Seattle trumpet ace brings a brilliant line up including Mark Taylor, Matt Jorgenson, and Travis Shook to bear on some of his favorite, though seldom performed, compositions.
Anne Drummond Quartet
October 26th, The Triple Door, 7:30
This multi-talented prodigal daughter of the Garfield jazz program has been killing em in New York for 10 years, performing and recording with the likes of Kenny Barron, Stefon Harris, and Avishai Cohen. She returns to Seattle with her sparkling quartet to celebrate her debut release, Like Water. With Brandi Disterheft (bass), Mauricio Zottarelli (drums), and Jovino Santos Neto (piano).
Eldar Trio
October 26 & 27, Tulas, 8:30
The dazzling pyrotechnics and musical maturity of the Kyrgyz post-bop piano prodigy Eldar Djangirov have awed the jazz world. His trio with Armando Gola (bass) and Ludwig Afonso (drums) is touring in support of a new CD, Virtue.
Meshell Ndegeocello
October 27th, The Triple Door, 7:00
The endlessly inventive bassist, composer, singer, and bandleader incorporates elements of soul, rock, jazz, funk, and hip-hop to express “the love Ive felt and the energy Im surrounding myself with." She possesses a deeply expressive musical perspective and a fierce intelligence.
Washington Composers Orchestra (WACO)
October 27th, Chapel Performance Space, 7:30
The Washington Composers Orchestra presents an evening of music specially suited for the gorgeous acoustics of the Chapel Performance Space at the Good Shepherd Center. Approaching the traditional jazz big band as a “pocket orchestra," this evenings program will feature four extended compositions by composer Robin Holcomb, Wayne Horvitz's concerto for clarinet “River of Whiskey," featuring guest clarinetist Beth Fleenor, and Chris Stovers “The Murderess." The program will also include the Seattle premier of “Laredo," written for saxophone quartet by Robin Holcomb, and commissioned by the Rova Saxophone Quartet. Presented in association with Nonsequitur.
Celebrate Hadley Caliman
October 28th, Seattle Art Museum, downtown, 7:30
An all-star touring quintet of Hadley Caliman (sax), the legendary Curtis Fuller (trombone), Larry Vukovich (pianist), Jeff Chambers (bass), and Eddie Marshall (drums) returns home to tribute its Seattle-based front man. With special guest appearances by friends and Seattle jazz luminaries.
Marco Benevento
October 28th, The Triple Door, 7:00
A favorite on the East Coast jam-band/avant-jazz circuit, this 31-year-old keyboardist has attracted new audiences with his impressive improvisational skills, a no-genres-barred musical approach, and a globe-trotting touring schedule.
Hardcoretet October 28th, Tulas, 8:30
The Seattle-based jazz ensemble features four fine young musicians in Art Brown (alto sax), Aaron Otheim (keyboards), Tim Carey (electric bass), and Tarik Abouzied (drums). Hardcoretet infuses deep grooves with plenty of heat.
Habib Koite
Greg Williamson's A-Y-P Large Ensemble
October 29th, City Hall, noon
This 16-piece group re-imagines music of the 1909 Alaska-Yukon-Pacific (A-Y-P) Exhibition Seattles first Worlds Fair. The ensemble presents pieces performed at and written especially for the exhibition (re-interpreted for a modern jazz orchestra), complete with period instruments and large-screen projections of photographs. Co-presented by Seattle Presents, Seattle Office of Arts & Cultural Affairs.
Tom Varner Tentet
Andy Clausen & Sjenka
October 29th, Chapel Performance Space, 7:30
The brilliant French horn player and composer Tom Varner leads his tentet through a fiery and unpredictable set. Opening: high schooler Andy Clausen and Sjenka, who impressed an audience at Earshots Second Century series with fully evolved ambient-improvisations.
Jason Marsalis Quartet
October 29 & 30, Tulas, 8:30
The youngest of the Marsalis clan, Jason is an immensely talented and musical percussionist. In his current quartet, he sticks to the vibraphone, which he began performing on eight years ago.
Tish Oneys Peggy Lee Project
October 30th, Kirkland Performance Center, 7:30
Joel Hamilton (bass), Kendall Kay (drums) pay tribute to the songwriting genius of Peggy Lee.
October 31
Will Goble Trio featuring Wessell Anderson
Tula's, 8:30, $16/$10
Marc Cary Trio
Foday Musa Suso
October 31st, Seattle Art Museum (Downtown), 8:00
Bringing together East Indian, West African, Native American, and African-American musical traditions in an all-acoustic setting, pianist Marc Cary leads an exceptional trio of David Ewell (bass) and Sameer Gupta (drums & tabla). Foday Musa Suso, the Gambian griot and master kora player, opens.
Jim Knapp Orchestra
October 31st, Poncho Hall Cornish College, 8:00
Featuring many of the finest jazz soloists in the Pacific Northwest, this 15-piece ensemble performs its leaders sophisticated compositions and arrangements with emotion and passion. Presented in association with Cornish College of the Arts. Its too bad the costs are so high in being able to take a 15 piece band on the road. If Jim Knapp could somehow pull it off, this local gem could measure up with any Big Band hitting the circuit today.
John Hollenbeck Claudia Quintet plus Gary Versace
Steve Lehman
November 1st, Seattle Art Museum (Downtown), 8:00
The percussionist John Hollenbecks genre-defying Claudia Quintet (bassist Drew Gress, saxophonist Chris Speed, vibraphonist Matt Moran, and keyboardist Ted Reichman) returns to Seattle with driving rhythms, beautiful and quirky melodies, and passionate virtuosity. One of the most original and enjoyable small groups performing today! Just added: the brilliant and versatile keyboardist Gary Versace joins the Claudias. Opening: the astonishing composer and saxophonist Steve Lehman demonstrates how expansive a solo performance can be.
Jay Thomas East/West Double Trio
November 1st, Tulas, 8:30
This scalding-hot jazz sextet, featuring players from Japan and Seattle, wowed audiences when it made its Seattle debut at City Hall three years ago. The double trio returns for another evening of genuine collaboration with Atsushi Ikeda (alto sax), Yasuhiro Kohama (tenor sax), Daisuke Kurata (drums), Jay Thomas (trumpet), John Hansen (piano), and Phil Sparks (bass). Accompanying the six players will be some star Cornish College jazz students. (See also November 5.)
Kaufmann/Gratkowski/DeJoode
November 2nd, Chapel Performance Space, 7:30
The astounding Achim Kaufmann (piano), Frank Gratkowski (alto saxophone & clarinets), and Wilbert de Joode (bass) incorporate aspects of contemporary classical music, free improvisation, and the jazz tradition with enormous sympathy, dexterity, and power. Presented with Polestar. When it comes to improvisation, it doesn't get much better than this. This is an experience in artistic expression that you won't forget. If you have any curiosity with regard to creative exploration, you should be here, period! On the other hand, if Kenny G is your cup of tea, don't bother.
Billy Bang
Cyro Baptista Banquet of the Spirits
November 2nd, The Triple Door, 7:30
The iconoclastic Brazilian percussionist, and recent movie scene-stealer (Rachel Getting Married), stretches out in a perfect Day of the Dead celebration. His exuberant band mixes voices and instruments from a dizzying array of cultures, creating a thrilling spectacle for eye and ear.
Jovino Santos Neto Quinteto w/ Harvey Wainapel
November 2, 3, Tulas, 8:30
The master pianist, flutist, and composer, beloved for his musical playfulness and stunning dexterity, performs contemporary Brazilian music with his exciting quintet among its members is the thrilling saxophonist Harvey Wainapel.
Don Byron Quartet
November 3rd, The Triple Door, 7:30
The extraordinary reedman Don Byron presents his Ivey-Divey quartet of Edward Simon (piano), Kenny Davis (bass), and Billy Hart (drums). Infused with Byrons characteristic innovation and technical mastery, the quartet tackles the repertory and spirit of jazz great Lester Young. This presentation has been made possible with support from Chamber Music Americas Presenting Jazz Program, funded through the generosity of the Doris Duke Charitable Foundation.
Wayne Horvitz: These Hills of Glory
November 4th, Nordstrom Recital Hall, 7:30
Wayne Horvitzs new chamber-music work, These Hills of Glory, performed by soloist Carla Kihlstedt (violin) and the Odeon quartet, a world-renowned chamber group featuring Seattle Symphony musicians. Also featured are pianist Cristina Valdes, flutist Paul Taub, and Seattle Symphony clarinetist, Laura DeLuca. Presented by Seattle Symphony. Wayne Horvitz established himself in New York prior to moving to Seattle and has never wavered from his creative vision. He is rare in that his passion not only revolves around his music, but that it also has a depth and sensitivity of a people from a specific time and place. Like a painting, Horvitz takes us there but amazingly, he does it through his music. He sculpts the space we share, in that moment, with color, mood and beauty. On this night, I'm excited to see that the brilliant creative mind of Carla Kihlstedt will join on Violin. Carla worked previously with the Tin Hat Trio.
Greg Williamson's A-Y-P Large Ensemble
November 4th, The Triple Door, 7:00
This 16-piece group re-imagines music of the 1909 Alaska-Yukon-Pacific (A-Y-P) Exhibition Seattles first Worlds Fair. The ensemble presents pieces performed at and written especially for the exhibition (re-interpreted for a modern jazz orchestra), complete with period instruments and large-screen projections of photographs.
Claudia Acua Quintet
November 4th, The Triple Door, 9:30
Chilean jazz vocalist Claudia Acuas band with NY pianist Jason Linder.
Joe Doria, Eric Barber, & Byron Vannoy
November 4th, Tulas, 8:30
An organ trio for the ages. Three of Seattle fiercest improvisers in a funkified format.
Jay Thomas East/West Double Trio
City Hall, noon FREE Co-presented by Seattle Presents, Seattle Office of Arts & Cultural Affairs.
November 4th, Poncho Hall, Cornish College, 8:00
This scalding-hot jazz sextet, featuring players from Japan and Seattle, wowed audiences when it made its Seattle debut at City Hall three years ago. The double trio returns for another evening of genuine collaboration with Atsushi Ikeda (alto sax), Yasuhiro Kohama (tenor sax), Daisuke Kurata (drums), Jay Thomas (trumpet), John Hansen (piano), and Phil Sparks (bass). Accompanying the six players will be some star Cornish College jazz students.
Kris Daviss Stone Trio
November 5 & 6, Tulas, 8:30
A vital voice on the contemporary NY scene, the Canadian-born pianist presents her Stone Trio featuring Tyshawn Sorey on drums and Ingrid Laubrock on saxophone. Daviss music is winding and darkly energetic an original voice youll want to hear.
John Abercrombie Quartet
November 6th, The Triple Door, 7 & 9:30
One of the most renowned and influential guitarists of his generation continues to amaze audiences the world over with understated and harmonically rich playing. His celebrated quartet features Drew Gress (bass), Mark Feldman (violin), and Anthony Pincotti (drums).
Trio 3
November 6th, Poncho Hall, Cornish College, 8:00
Three all-time giants of jazz Andrew Cyrille (drums), Reggie Workman (bass), and Oliver Lake (saxophones) form one of the most dynamic and exciting small groups performing today. Veterans of some of the most significant ensembles of the last half-century, they navigate through explosive performances with a shared understanding of the power of improvisation. With support from WESTAF and the NEA. Presented in association with Cornish College of the Arts. This performance promises to be special with three of the greatest musicians to grace the music of Jazz.
Bill Frisell and Russell Malone
Hans Koch
Paul Kikuchis Portable Sanctuary
November 7th, Chapel Performance Space, 8
The Swiss reedman, one of the most fearless improvisers in the music, produces a rich mix of jazz, contemporary classical and folk forms. Following his solo bass clarinet performance, Paul Kikuchi appears with his quartet trombone maestro Stuart Dempster and fellow percussionist-instrument makers Alexander Vittum and Jesse Olsen. Hans Koch - the above says it all.
Greta Matassa
November 7th, Northshore Performing Arts Center, 7
Special appearance by Bothell High School jazz choir. Pacific Northwest favorite Greta Matassa is a winner of wide acclaim and a consistent crowd pleaser with her unique and diverse vocal stylings. Performing with three other talented jazz musicians, she will charm and entertain the Northshore audience. Shell also invite local high-school jazz choirs to take part in a master class and sing onstage with her in an exciting fusion of established and upcoming talent! Sponsored by Shane Kramer & Kirstin Haugen and Paula Peterson.
Kirkland Performance Center, 3
November 7th & 8th, Seattle Repertory Jazz Orchestra w/ Dean Bowman: Tribute to Ray Charles: Genius + Soul = Jazz
Celebrating the historic musical kinship of Quincy Jones and the great Ray Charles, this project focuses on the body of work that yielded the pivotal recording, Genius + Soul = Jazz. Ably handled by the Seattle Repertory Jazz Orchestra with special guest vocalist Dean Bowman, the performances also features guest organist Joe Doria, commemorating Charless debut recording on Hammond B3. This project has been made possible by the NEA as part of American Masterpieces: Three Centuries of Artistic Genius, and includes open rehearsals and additional large and small ensemble performances, along with panel discussions and outreach programs.
Ralph Alessis This Against That
November 7th & 8th, Tulas, 8:30
The extraordinary, quicksilver trumpeter calls on some of New Yorks finest improvisers Tony Malaby (tenor sax), Andy Milne (piano), Ben Street (bass), and Mark Ferber (drums) to carve out space among jazz, pop, and contemporary classical music.
Evan Flory-Barnes: Acknowledgment of a Celebration
World Premiere
November 8, Town Hall, 8
The Seattle bassist and composer presents his large-ensemble fusion of jazz, hip hop and classical music, complete with modern dancers and freestyle break dancers. Commissioned as part of a national series of works from Meet the Composers Commissioning Music/USA program.
Photo Credits
Daniel Sheehan, from the 2008 Earshot Festival
