Listening to Diane Monroe play jazz violin—whether solo, duo, or in a group—what's immediately evident is how great an improviser she is, fitting seamlessly with the music and the group, breathing and moving with the music. Only then does it become clear that she possesses the precision, complexity, and technique of a classical concert violinist. Indeed, Monroe studied classical violin at the Curtis Institute of Music with renowned teacher Ivan Galamian. While engaging in a career as a concert artist, she adjusted her course and worked with drummer Max Roach on the jazz circuit. Since then, she has pursued both careers, giving her incomparable finesse and exceptional creativity on her instrument.
Victor L. Schermer spoke with Monroe at length recently, about her drive to bridge what appear to be ever-narrowing gaps between what were once great divides between musical styles and the people that played them. He also talks with her about her experiences playing with jazz greats like drummer Max Roach, and her own approach to teaching and mentoring.
Check out Diane Monroe: Bridging Diverse Musical Worlds, today at AllAboutJazz.com!
Victor L. Schermer spoke with Monroe at length recently, about her drive to bridge what appear to be ever-narrowing gaps between what were once great divides between musical styles and the people that played them. He also talks with her about her experiences playing with jazz greats like drummer Max Roach, and her own approach to teaching and mentoring.
Check out Diane Monroe: Bridging Diverse Musical Worlds, today at AllAboutJazz.com!
For more information contact All About Jazz.
