“Best prog rock album so far this century. The kind of record that prog rock bands 40 years from now will try to copy...” —Michael Bjorn, Strange Days (Japan)
Surprises are to be found as well in the instrumentation as the band open up the sound and more explicitly reference a love of electronica and the music of artists such as Boards of Canada and Aphex Twin, best heard in the song “Day of Release” as synthetic percussion and rumbling synths give way to chiming acoustic guitar and a soaring vocal melody. As a counterpoint, the album also features the highly atmospheric “Phosphor”, which sees Sanguine Hum break new creative ground. Perhaps even more exciting for a band that perhaps held some of their progressive influences in check on their debut album, is the 15-minute title track that manages the task of combining effective and emotional songwriting with thrilling musical developments that push the band to the limit. 'The Weight of the World' breaks new ground for a band at the forefront of truly “progressive” music.
Recorded at Oxford's Evolution studios, Joff Winks (vocals, guitars, programming), Matt Baber (keyboards, percussion, programming), Brad Waissman (bass) and Andrew Booker (drums, percussion) have pushed the creative boundaries of Sanguine Hum to produce one of THE truly progressive and landmark albums of 2013.
In support of the release of 'The Weight of the World', Sanguine Hum will be performing at The Borderline in London on Friday June 7th with TIN SPIRITS and MATT STEVENS. The band will also be playing at Band on the Wall in Manchester on June 21st - same line-up as at the Borderline.