. He played the trumpet in popular New York jazz orchestras and led his own prestigious groups.
He learned to play from his father, a longshoreman by day who led his own well-respected brass band. Honing his skills as a teenager, playing fish fries and lawn parties, Allen Jr. graduated to working aboard Mississippi riverboats where he played the steam calliope above deck when he wasn’t on the bandstand.
Leery of being stranded on the road, Allen finally took the plunge in 1927 and headed out on tour with one of his heroes—King Oliver. Talented beyond his years but homesick in New York, he returned to New Orleans and work on the riverboats. Then in 1929 he accepted an offer to join the Luis Russell
From the 1930s onward, Red was an important presence in New York. He created his fiery, distinctive trumpet style by combining tradition and experimentation. His playing was unlike anyone else, and his solos were often startlingly innovative and unpredictable.
Red Allen was a star soloist with Fletcher Henderson
. During this period, his recorded work was highly regarded and widely influential. In 1932 he made a series of records, now known and highly prized as The Rhythmakers, backing vocalist Billy Banks. The band was a unique multi-racial collection of hot jazz players that included Pee Wee Russell
Throughout his long career, Allen continued to record under his own name. Particularly noteworthy was a 1933 collaboration with saxophonist Coleman Hawkins, which produced popular hot records such as, “Ain’t ‘Cha Got Music.”
Allen re-joined Luis Russell in 1937 to play in the trumpet section behind Louis Armstrong. In the 1940s, Allen’s time was divided between club engagements in New York, Boston and Chicago, appearing often with Billie Holiday, Sidney Bechet
Beginning in the mid-50s, for almost a decade, the sober, gentlemanly trumpeter played hot jazz for a wild scene of well-lubricated college students at New York’s Central Plaza. The action took place in a large ballroom on the top floor of a five-story building on Manhattan’s lower East Side. Allen shared the bandstand with jazz legends such as Willie "The Lion" Smith
Red also had a long standing gig leading his own All-Stars at the Metropole Cafe near Times Square; and he renewed his recording with Coleman Hawkins. In 1957 Red’s group was featured in the legendary CBS-TV show, The Sound of Jazz. Then in 1959 Allen toured Europe with Kid Ory
Asked about the future of jazz in a 1966 interview, Red Allen said he had no fears about jazz continuing because new generations of musicians will always be trying out new things. “But,” he said, “I only hope they combine their innovations with listening to players who have gone before.”