Tom van der Geld vibraharp, percussion
Roger Jannotta soprano and baritone saxophones, flutes, oboe, bass clarinet
Kent Carter bass
Billy Elgart drums, percussion
Recorded May 1977 at Tonstudio Bauer, Ludwigsburg
Engineer: Martin Wieland
Produced by Manfred Eicher
As yet to provide choice vibes" for Kenny Wheeler's around 6, in addition to his elusive but well-worth-owning Path, mallet man Tom van der Geld made his ECM debut with this, his second of four Children at Play" recordings. Less specific than his later work with the group, which was perhaps never meant to be a stable collective/concept in the first place, Patience may require just that. That being said, the abstractions of the opening title track have a charm all their own, seeming to inhabit that blurry space between fading night and the coming dawn. This diurnal circle unrolls into a relatively straight line in the flute of multi-instrumentalist Roger Jannotta through the vibes' infrared lobs. With Golden Stabs" we feel that dawn acutely, warming our faces with a gorgeous soprano that always remains tonally centered despite its erratic rays. Those smooth reeds carry over into the smooth melancholia of Alison." Celia" is an ever-changing mosaic of continental winds and underwater railways. Like a broken vial of liquid mercury, it recedes, unrecoverable, into the cracks of a melodious tessellation. And Then..." ends the album on a pointillist reverie with the oboe as storyteller. We get the barest intimations of traction in the bass (Ken Carter) and drums (Billy Elgart) before taking shelter in more densely woven brush. It is here where the album at last begins to gel and its trajectory becomes known to us.
Viscous and profoundly solitary, van der Geld's is an intimate world to be sure. Like the flute that haunts its darkest corners, it is a half-remembered death given a new body through the resurrection of the musical act. One feels Patience in degrees of heat, each track an incremental setting on a toaster that sets the coils aglow with varying intensity, leaving us with a distinct char every time.