Amazon.com Widgets
667 views

This Week On Riverwalk Jazz: Tango, Opera And The Blues: Jelly Roll’s Recipe For Jazz

Published:
Jim Cullum Jr. This week on Riverwalk Jazz, The Jim Cullum Jr.
Jim Cullum Jr.
Jim Cullum Jr.
b.1941
cornet
Jazz Band welcomes singer Vernel Bagneris and the piano duo of Dick Hyman
Dick Hyman
Dick Hyman
b.1927
piano
and John Sheridan for a concert of Jelly Morton’s music, and a discussion of key elements in his compositions.

The program is distributed in the US by Public Radio International, on Sirius/XM satellite radio and can be streamed on-demand from the Riverwalk Jazz website. You can also drop in on a continuous stream of shows at the Stanford Archive of Recorded Sound.

Jelly Roll Morton
Jelly Roll Morton
Jelly Roll Morton
1890 - 1941
piano
had a tendency to exaggerate. On his business card he gave himself the title, ‘Inventor of Jazz.’ There was, at least a kernel of truth behind his claim. Not only was he among the first important composers and recording stars in jazz, he appears to have been the first jazz musician to write down his compositions in musical notation. Morton’s body of work remains at the core of many classic jazz bands’ play lists.

It doesn’t take long to recognize the distinctive voice of a Morton composition. His genius was to combine a playful, improvised spiritwith the formal musical elements of the ragtime that surrounded him as a young piano “professor" employed in New Orleans bordellos in the early 1900s.

By the time he made his Red Hot Peppers recordings in the 1920s, Jelly Roll’s compositions embodied both high and low American music. Brass marching bands, ragtime, Italian opera, country blues, spirituals, tangos, New Orleans jazz and Caribbean rhythms—all rolled around in his brain and influenced the music he wrote. Morton was a “walking treasury of the nation’s musical byways,” as jazz writer Gary Giddins
Gary Giddins
Gary Giddins
b.1948
put it. The result was a distillation and summation of traditional New Orleans jazz—and also, in many ways, a band sound that foreshadowed Duke Ellington
Duke Ellington
Duke Ellington
1899 - 1974
piano
.

Except for a few of his tunes like “King Porter Stomp” that were adapted for swing bands, Jelly Roll and his music were largely forgotten by the 1930s. He spent the rest of his life struggling to get by, writing letters to publishers, ASCAP and periodicals to recover his lost royalties and reputation. In 1938 he wrote an article which appeared in Down Beat magazine, “I Created Jazz In 1902, Not W.C. Handy
W.C. Handy
W.C. Handy
1873 - 1958
arranger
.”

Shortly after he died in poverty in Los Angeles in 1941, the worldwide Classic Jazz Revival got under way, and Morton’s status as a key pioneer of jazz was restored.


View the original article...


Visit Website

comments powered by Disqus
Support All About Jazz Through Amazon

Weekly Giveaways

Mark Elf

Mark Elf

About | Enter

Stefano Bollani

Stefano Bollani

About | Enter

Carmen Lundy

Carmen Lundy

About | Enter

Wadada Leo Smith

Wadada Leo Smith

About | Enter

Sponsor: ECM Records | BUY NOW

Enter it twice.
To the weekly jazz events calendar

Enter the numbers in the graphic
Enter the code in this picture

Log in

One moment, you will be redirected shortly.

News Search


or search site with Google