Funds currently being raised via IndieGoGo for recording/distribution of project for CD
Los Angeles, CA: Opera Theatre’s 2013 world premiere Champion, which was co-commissioned with Jazz St. Louis, continues to garner international recognition with the February 13 announcement from the 2014 International Opera Awards that the opera, by composer Terence Blanchard and librettist Michael Cristofer, has been named one of five finalists in the category of “world premiere.” The award will be given on April 7 at the Grosvenor House Hotel in London. Champion is the only finalist in the category written by both an American composer and an American librettist.
A concurrent campaign via IndieGoGo to raise funds for the recording and distributionof the Opera for CD purposes has just gone live. With donor support Champion will be captured and distributed to audiences worldwide – befitting the first-time performance of Blanchard’s first opera – a unique and momentous occasion in the history of opera and jazz. With pledges ranging from $25 to $25,000, donors can receive everything from a CD to a private concert to a producer credit on the Champion album. For complete details on the fundraising endeavors, please visit: igg.me/at/ChampionRecording.
The International Opera Awards were established in 2013 to celebrate excellence in the world of opera and to support emerging opera talent. They are chosen by OPERA Magazine, founded by Lord Harewood in 1950. As the world’s leading commentator on the lyric stage, OPERA Magazine was recently described in The Daily Telegraph as “the bible of the industry.”
In the “world premiere” category, Champion shares honors with four other finalists: The Merchant of Venice (André Tchaikowsky), presented by the Bregenz Festival in Austria; Oscar (Theodore Morrison), presented by the Santa Fe Opera in the United States; Qudsja Zaher (Paweł Szymański), presented by the Polish National Opera in Poland; and Spuren der Verirrten (Philip Glass), presented by the Landestheater Linz in Austria.
Opera Theatre of Saint Louis and Jazz St. Louis joined forces with an acclaimed team of creators and performers to commission and develop Champion. The piece was a first opera for both Mr. Blanchard, a five-time Grammy Award-winning jazz, film, and theatrical composer, and Mr. Cristofer, who is both a Pulitzer Prize-winning playwright and an award-winning filmmaker and actor. Based on the story of prizefighter Emile Griffith, the opera starred Denyce Graves, Aubrey Allicock, Arthur Woodley, Robert Orth, and Meredith Arwady. Directed by Opera Theatre of Saint Louis Artistic Director James Robinson and conducted by George Manahan, Champion received its world premiere during Opera Theatre’s 2013 Festival Season.
The opera became the highest-grossing world or American premiere in Opera Theatre history, with ticket sales at 98% of capacity. “Blanchard’s world premiere opera is a champ in its own right,” wrote The Chicago Tribune, “…a new work of quality and staying power, one that deserves to be taken up by other opera producers, far and wide.” The Denver Post described the opera as “the rare bit of genre mixing that succeeds once in a generation… a new kind of masterpiece,” while The Financial Times wrote, “Champion has enthralled the audience here.”
Champion was the first in a series titled New Works, Bold Voices: three new operas commissioned by Opera Theatre from American composers and librettists on American themes, supported in part by a $1 million challenge grant from the Andrew W. Mellon Foundation. The second opera in the series, Twenty-Seven by Ricky Ian Gordon and Royce Vavrek, opens June 14 as part of Opera Theatre’s 2014 Festival Season. The series will continue with the opera Shalimar the Clown, by Jack Perla and Rajiv Joseph, based on a novel by Salman Rushdie.
The award winners will be announced on April 7, 2014 at a gala event at the Grosvenor House Hotel, Park Lane in London. Proceeds from ticket sales to the awards ceremony support The Opera Awards Foundation. The Opera Awards Foundation provides grants to singers, conductors, directors, and designers to support careers of burgeoning artists, as well as to institutions that promote youth involvement in opera. The Foundation also promotes and educates the public in the art of opera through direct programming.
The Story of Champion Emile Griffith was a three-time World Welterweight Champion and twice a World Middleweight Champion, fighting from the late 1950s into the 1970s. However, one of his greatest professional triumphs – winning back the Welterweight Championship from Benny “The Kid” Paret in 1962 – was also one of his greatest personal tragedies. The seventeen punches he landed on Paret in seven seconds resulted in not only a knockout, but also a coma from which Paret would never recover. Paret would die ten days later.
Before that life-changing televised fight, in a room full of press and officials, Paret mocked Griffith repeatedly with a derogatory term for a homosexual. Years later, Griffith’s sexuality as a gay man was revealed to the public after he was nearly killed by a gang outside a gay bar in New York. “I kill a man,” Griffith was quoted to have said, “and most people understand and forgive me. I love a man, and to so many people this is an unforgiveable sin.” In an inspiring, moving, and painful journey of self-discovery, Champion presents audiences with a great contemporary tragic hero – a man of strength and courage consumed ultimately by rage, regret, and the terrible consequences of his actions.