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Swingin' On A V-Disc This Week On Riverwalk Jazz

Published:
Jim Cullum Jr. This week on Riverwalk Jazz it's the story of the V-Disc, a WWII morale-boosting recording initiative that created novel collaborations between jazz artists of the era. By September 1945, total production reached 4.5 million records. By the end of the program, it is estimated that more than 8 million V-Discs were distributed. The Jim Cullum Jazz Band plays jazz recorded for the series.

The program is distributed in the US by Public Radio International, on Sirius/XM satellite radio and can be streamed on-demand from the Riverwalk Jazz website.

By 1942, the United States found itself ramping up to fight a war that stretched from North Africa and Europe to the South Pacific. Morale among allied soldiers would be a major issue. But a five-foot three-inch tall Army Lieutenant, G. Robert Vincent, thought he had the answer. He decided that music—and lots of it—would make a difference. As he put it, his V-Discs would be like sending a “slice of America to the boys overseas.”

The Army’s V-Disc project provided a monthly package of music specially recorded for troops overseas. Soldiers fighting a far-flung war welcomed these musical snapshots of life back home.

Hear an extended Interview with G. Robert Vincent here.

Vincent and his team recorded a wide array of musical genres for the troops. The monthly disc shipments featured selections from patriotic marches, symphonic and chamber works, Grand Ol’ Opry stars, black gospel groups, pop songsters like Bing Crosby
Bing Crosby
Bing Crosby
1903 - 1977
vocalist
and Dinah Shore, and plenty of hot jazz by Fats Waller
Fats Waller
Fats Waller
1904 - 1943
piano
, Lionel Hampton
Lionel Hampton
Lionel Hampton
1908 - 2002
vibraphone
, Nat Cole, Louis Armstrong
Louis Armstrong
Louis Armstrong
1901 - 1971
trumpet
, Muggsy Spanier
Muggsy Spanier
1906 - 1967
cornet
, Bob Crosby
Bob Crosby
b.1913
, Gene Krupa
Gene Krupa
Gene Krupa
1909 - 1973
drums
, Benny Goodman
Benny Goodman
Benny Goodman
1909 - 1986
clarinet
, the Dorsey Brothers, Hot Lips Page
Hot Lips Page
Hot Lips Page
1908 - 1954
trumpet
, Teddy Wilson
Teddy Wilson
Teddy Wilson
1912 - 1986
piano
, Jimmie Lunceford
Jimmie Lunceford
Jimmie Lunceford
1902 - 1947
composer/conductor
d, Artie Shaw
Artie Shaw
Artie Shaw
1910 - 2004
clarinet
, Jack Teagarden
Jack Teagarden
Jack Teagarden
1905 - 1964
trombone
, Bobby Hackett
Bobby Hackett
Bobby Hackett
1915 - 1976
trumpet
, Duke Ellington
Duke Ellington
Duke Ellington
1899 - 1974
piano
and Count Basie
Count Basie
Count Basie
1904 - 1984
piano
.

The V-Disc project was, from its inception, intended to be not-for-profit. Celebrities lined up to do their bit in the recording studio. And no one, no matter how big a star, received any compensation. Songwriters signed on to the same deal. In return, the Army promised that “no commercial use" would ever be made of V-Discs.

The body of work Vincent and his team captured on V-Discs created a treasury of jazz. By special arrangement with the American Federation of Musicians (which was at the time on strike, effectively halting production of new commercial discs), there were no contractual restraints from record labels. V-Disc sessions often brought together top artists who would normally not record together in high-energy jam sessions.

New technology developed by the Army meant that individual tracks on the 12-inch 78 RPM discs could be as long as 6 minutes instead of the usual 3. Musicians could stretch out and take longer solos. In general, V-Discs projected a more informal, relaxed party atmosphere.

V-Discs were sent out to the four corners of the Earth—and were an instant hit. They were broadcast over PA systems on battleships at sea and in Quonset-hut “day rooms" where enlisted men, waiting for orders, played cards and wrote letters home. Soldiers passing the time in barracks, or lining up in mess halls listened to V-Discs on camp radio stations. In all, between 1943-49, some eight million V-Discs were shipped overseas.

For G. Robert Vincent, feedback from the troops was always very important: “I enclosed a personal message into each V-Disc kit, I said ‘Let us know what you want in the line of music, let us know your criticism of this month’s release, let’s hear from you.’ And soon replies kept pouring in…We wanted to diversify things as much as possible because every GI had different taste.”

It took four enlisted women working full-time to tabulate the thousands of song requests that came back from the front. Irving Berlin’s ”White Christmas” topped the list, but “Star Dust” was a close runner-up—and V-Disc producers gave the troops half a dozen recordings to choose from. There were performances by Artie Shaw, Glenn Miller
Glenn Miller
Glenn Miller
1904 - 1944
trombone
and the composer himself—Hoagy Carmichael
Hoagy Carmichael
Hoagy Carmichael
1899 - 1981
piano
.

At the end of the war, the master recording discs were destroyed. But copies of most of the V-Discs survived, and bootleg copies have circled the globe for decades. Many are available today on CD re-issues.

Visit us on Facebook to tell us about your V-Disc story. Do you have any of the original discs? Did a family member share stories of listening to V-Discs overseas?


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