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STLJN Saturday Video Showcase: Winter/Spring 2014 Jazz Preview, Part 5

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This week, it's the fifth and final installment of StLJN's winter/spring 2014 jazz preview, giving you a chance to check out live performance videos of the various touring jazz and creative music performers coming to St. Louis in the next few months. (If you missed the earlier posts, or want to take another look, here are and part four.)

Today's first clip up above features singer Catherine Russell, who will make her St. Louis debut as a headliner on Saturday, April 19 at the Sheldon Concert Hall. Russell, the daughter of musicians Luis Russell (who played with Louis Armstrong) and Carline Ray, is known for her interpretations of pre-WWII jazz and blues material.

She is seen here performing “Romance In The Dark," a Lil Green song from 1940 later covered by artists such as Dinah Washington and Nina Simone and recorded by Russell on her album Strictly Romancin'. This video was shot in February, 2012 at Wellfleet Preservation Hall in Wellfleet, MA; Russell's accompanists are Matt Munisteri (guitar), Mark Shane (piano), and Lee Hudson (bass).

Down below, you can see a video featuring trumpeter Arturo Sandoval, who will return to our town on Friday, April 25 to play at the Touhill Performing Arts Center as part of the Greater St. Louis Jazz Festival. The Cuban-born brassman, a friend and protege of the late Dizzy Gillespie, is seen here in an extended jam on what perhaps is Diz' most famous composition, “A Night in Tunisia," recorded in February 2013 in Gleisdorf, Austria. (The video was shot by an audience member on a handheld camera, so the picture is a bit shaky at points, but the audio quality is good throughout.)

The third clip captures a recent performance by the Count Basie Orchestra, who will be the Greater St. Louis Jazz Festival's featured attraction on Saturday, April 26 at the Touhill. Now under the direction of trumpeter Scotty Barnhart, with Bobby Floyd on piano and veteran drummer Butch Miles back behind the kit, the Basie band can be seen here performing “The Deacon" in September, 2013 at the Blue Note in Nagoya, Japan.

Our fourth video is a fairly slick-looking promotional clip for saxophonist Joe Lovano's two-drummer ensemble Us Five, who will be making their St. Louis debut with performances starting Wednesday, April 30 and continuing through Saturday, May 3 at Jazz at the Bistro. This version of “Blessings in May," from Lovano's 2013 album Cross Culture, was filmed live at the Mint in Los Angeles. (And in case you were wondering - yes, that's Esperanza Spalding on bass in this clip, and no, she's not scheduled to be part of the band's St. Louis gig.)

Below that, you can see singer Jane Monheit in a performance recorded in February 2013 at a venue called Bourbon Street in São Paulo, Brazil. The audience-shot video captures her up close and personal, singing the Carol Hall lyric for pianist Bill Evans' well-known composition “The Two Lonely People," which Monheit recorded on her album The Heart of The Matter. She'll be in St. Louis from Wednesday, May 14 through Saturday, May 17 to perform at Jazz at the Bistro.

In the sixth spot, there's an excerpt from a performance and workshop given by trumpeter Terell Stafford at Saxquest when he was here in St. Louis in November, 2012. Stafford will return to St. Louis to serve as guest soloist with Jazz St. Louis' JazzU student ensemble when they play their annual weekend at the Bistro on Friday, May 23 and Saturday, May 24.

Last but not least, today's seventh and final video shows off the solo piano talents and storytelling of Joe Sample, who will perform with his trio from Wednesday, May 28 through Saturday, May 31 at Jazz at the Bistro. Recorded with some sort of hand-held device in April 2013 at the Fairfield Theatre in Fairfield, CA, the clip has a tiny picture but some very nice audio of Sample getting down and dirty on “Gee, Baby Ain't I Good To You" and “How You Gonna Keep Them Down On The Farm (After They've Seen Paree)."












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This story appears courtesy of St. Louis Jazz Notes by Dean Minderman.
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