They were jazz heavyweights—Duke Ellington, Isham Jones and Artie Shaw. In the heady days of the Swing Era, they led their bands in big-name ballrooms coast-to-coast. And they composed some of the most memorable songs of the day—creating a soundtrack that inspired generations to fall in love.
Swing was a way of life for millions of Americans. Good times centered around ballrooms in big cities and small towns across the country. Musicians had bankable star power in cities like New York and Chicago, and it was reflected in money spent on floor shows and stage scenery. Band members wore snappy outfits. Bandstands were shaped like yachts—or hung with velvet drapes and exotic tropical backdrops.
There was the Palomar in Los Angeles where Benny Goodman
made his historic breakthrough. The huge Meadowbrook Ballroom in New Jersey. The Glen Island Casino, overlooking Long Island Sound, a romantic rendezvous for dining and dancing. And the Grand Terrace Ballroom in Chicago, the place where bandleader Earl Hines
presided over a glittering floor show from his white grand piano center stage.
But every small town had its own Coliseum or Joyland Park, its Alcazar or Ali Baba. The names of these ballrooms evoked romance—though at times the décor was lacking. Some were only barn-like caverns with splintery dance floors. Once the music started, it didn’t matter. Everyone was dancing—packed shoulder to shoulder.
British bandleader Ray Noble’s reputation was made in the States at a long engagement at New York’s Rainbow Room in the mid 1930s. Among the many popular songs Ray Noble composed in the Swing Era, several are jazz band favorites today. Rebecca Kilgore joins John Sheridan on piano with Noble’s “The Very Thought of You.” A small ensemble of The Jim Cullum Jazz Band with Ron Hockett on clarinet swings its way through Noble’s hit, “Cherokee.” It’s the tune that made Charlie Barnet
Jazz clarinet virtuoso Artie Shaw was a fine composer. Much to his chagrin, his matinee idol good looks also made him a celebrity, hounded by autograph-seeking bobby-soxers. His famous perfectionism and refusal to play just his hits earned him a reputation as a musicians’ musician." Shaw was just as discerning about the vocalists he selected to work with his band as he was about everything else. Billie Holiday
both sang and recorded with Artie Shaw’s Orchestra. Shaw wrote a number of elegant compositions, including “Moon Ray” and “Any Old Time” performed on our show by Becky Kilgore and the Band.
Innovative, far-reaching, elegant, urbane—are all words used to describe Duke Ellington. Ellington is widely recognized as the most important composer of early 20th century jazz. He wrote serious pieces, suites and concertos including, Black, Brown, and Beige. He was the first black composer commissioned to write the sound track for a major motion picture — Anatomy of a Murder in 1959. Becky Kilgore performs a trio of Ellington’s lesser known pieces including “I Didn’t Know About You” from 1946.
The name Isham Jones isn’t as widely known as other Swing Era bandleaders, and yet Jones was one of the first popular big band leaders in the country. He always had top jazz musicians in his band and was a favorite of the young Bix Beiderbecke and other up and coming 1920s Chicago jazzmen. Among his most popular and enduring pieces, Jones wrote “I’ll See You in My Dreams,” “Spain,” and the number Rebecca Kilgore sings with the Band, “Swingin’ Down the Lane.”
Writing in JazzTimes, Christopher Loudon praises Rebecca Kilgore’s work and places her in the same league as the most renowned jazz singers of our day, “Among discerning interpreters of jazz standards, Rebecca Kilgore is in the same exalted league as Dianne Reeves