Eldar's Breakthrough, recorded at Avatar Studios in New York City, was released April 9. Like the 26-year-old's 2009 disc Virtue, it features his long-standing touring trio with bassist Armando Gola and drummer Ludwig Afonso. Breakthrough breaks through to reinforce just how powerful and poignant a road tested jazz trio of young lions can be.
Captured live in the studio, Breakthrough exudes compositional brilliance, improvisation and interplay. The trio pushes the envelope on Eldar's Point of View Redux," and features guest vibraphonist Joe Locke on the pianist's dizzying Blink" and saxophonist Chris Potter on Eldar's impressively layered title track. Eldar's arrangements of Irving Berlin's ballad What'll I Do" and the whimsical Redd Evans/David Mann composition No Moon at All" feature electric bassist Gola switching to an acoustic upright instrument, playing evocative lines as Afonso eschews drumsticks to provide stirring brushwork. There's even a telekinetic cover of British pop band Radiohead's Morning Bell."
There's a special connection within this trio," Eldar says. It feels like we're all playing one single instrument." All the more remarkable as this youthful unit plays at exhilarating speeds and yet maintains a distinctly heartfelt touch.
Bach/Brahms/Prokofiev, recorded solo at Manhattan Center Studios and available May 14, marks the pianist's second solo release, and his debut album in the classical genre. It expands, with fervor and finesse, upon the much-lauded classical pieces interspersed on Eldar's 2011 solo piano debut Three Stories. Chronological, it captures Bach's 1720s playfulness on Partita #2 in C minor, BWV 826" and Brahms' 1870s harmony on Eight Piano Pieces, Op. 76." Eldar, a native of the former Soviet Union, further showcases his roots through Prokofiev's Sonata #7 in Bb major, Op. 83" from the 1940s.
These two new recordings illustrate a combination of musical logic and abandon that is singularly Eldar — and mark a major breakthrough by this popular piano star.