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Remembering Charlie Haden

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We're celebrating the spirited life and music of bassist Charlie Haden (1937-2014) who passed away on July 11th. We've included links to four archived interviews as well as our coverage of Mr. Haden's music from years past. Charlie Haden: An Analog Guy in a Digital World (2004) Born August 6, 1937 in Shenandoah, Iowa, Charlie Haden came up in a musical family. After moving around the Midwest, he eventually settled in Los Angeles playing bass with Hampton Hawes, Elmo Hope, and Paul Bley. A fateful meeting in 1958 with Ornette Coleman netted Haden one of his ...

INTERVIEWS

Orrin Evans: Hot Irons In The Fire

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A pianist with great chops, great touch and an attack that fancies many influences from fierce swing to gospel, Orrin Evans is one of the outstanding creative musicians on the New York City scene. His work, no matter what the context--and he loves different contexts--is downright riveting at times. But for the 38-year-old who hails from jny: Philadelphia, jazz, though a pleasure, was a bit of a mystery when he was first experimenting with it. “I didn't know what improvisation was, to be honest. I didn't know what they were doing," when he listened to records, ...

INTERVIEWS

Martin Wind: Appreciating Bill Evans

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Bassist Martin Wind had already gigged with American jazz musicians prior to moving to New York City in 1996 to advance his musical studies. Though classically trained, Wind is highly versatile, having played in orchestras, small jazz groups, crossing genres on the electric bass prior to departing his native Germany. Now, years later, he is a well-established player on the New York scene, having performed with stalwarts like Monty Alexander, Pat Metheny, Clark Terry, Slide Hampton, Toots Thielemans, the Metropole Orchestra, Michael Brecker, Randy Brecker, Phil Woods and more. He's cut albums under his own name and since ...

July 2014

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Dear Mr. P.C.: I hate my playing almost all the time. What's worse is I don't seem to hate it any less even though I'm getting better. At least I think I'm getting better, when I'm not busy hating my playing. Is there something wrong with me? --Having Absolutely Terrible Esteem Dear HATE: Instead of getting lost in self-loathing, try to focus on the times when you don't hate your playing. What makes those moments different? Do you really sound better, or is it just a matter of perspective? If it's just ...

INTERVIEWS

Ulf Wakenius: Confessions of A Vagabond

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Happenstance may play a role in turning dreams into reality, but anyone who's ever realized a burning ambition will appreciate just how much hard work has paved the way. Two phone calls out of the blue almost twenty years apart opened doors to Swedish guitarist Ulf Wakenius, that in the first case he could only have dreamt about, and in the second, he could never have imagined. In 1997, in fairly dizzying circumstances, Wakenius suddenly found himself in pianist Oscar Peterson's quartet, with whom he would go on to tour the globe countless times during the jazz legend's ...

INTERVIEWS

Horace Silver: Blue Note Records and His Lady Music

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The Q&A portion of this article first appeared on KPFK 90.7 FM (Los Angeles) in 1974. 75 years ago Blue Note Records was started by two German immigrants who loved jazz and believed that the music should be heard and preserved. Alfred Lion and Francis Wolff collaborated and built the Blue Note vault of music that included the artistry of immortals: Miles Davis, Sonny Clark, Sidney Bechet, Clifford Brown, Art Blakey, The Jazz Messengers, Lee Morgan, Freddie Hubbard, and Horace Tavares Silver, from Norwalk, Connecticut. Silver stayed with Blue Note Records for 28 years until ...

CATCHING UP WITH

Jimmy Haslip: Former Yellowjacket Generating a New Buzz

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Well, the Joint Base San Antonio Fort Sam Houston News Leader is probably not the best place to look for local jazz updates, even if the venue is on the base. “Tickets for the next Friday Night Jazz concert at the Fort Sam Houston Theater are on sale. Featured artists include the Jeff Lorber Fusion with special guest saxophonist [sic] Jimmy Haslip of The Yellowjackets." Not a promising start, unless Jimmy has taken up a new axe and rejoined his old band. It takes about four tries and 30 minutes just to get on the base because I am not ...

INTERVIEWS

Partisans: Never the Same Way Twice

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It's been five years since Partisans--the British jazz group (not to be confused with the also-British punk rock band The Partisans) cited as the godfathers of the new wave of British jazz, first emerging in 1997 with the out-of-print self-titled debut on the EFZ label--last released an album, specifically the superlative By Proxy (Babel, 2009), which All About Jazz's Chris May called the group's “long expected masterpiece" and “one of the most exciting albums to be released on either side of the Atlantic in 2009." High praise indeed, but the quartet that's been co-led by the group's two ...

THE VINYL POST

Roland Kirk: The Limelight/Verve Albums

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Several years ago when this writer was looking for rarities to include in the column Jazz From the Vinyl Junkyard, the chances for the medium to make a huge comeback seemed to be slim at best. Fast forward and it seems that vinyl is the new black, with efforts to market it to a fresh and younger audience. The availability of simple to operate and affordable turntables aids the process. And until just recently, Stereophile magazine had an entire column, The Entry Level, devoted to putting together a great system on a budget. Further stoking this trend, Blue ...

LIVE REVIEWS

Down With Jazz 2014

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Down With Jazz Meeting House Square jny: Dublin, Ireland May 31-June 1, 2014 There's nothing quite like a Bank Holiday weekend, sunshine and music. Having moved from 2013's September slot with its unpredictable autumn weather to the last weekend in May with its unpredictable spring weather, Down With Jazz 2014 passed off dryly, which raised the spirits and surely contributed to the dancing that broke out sporadically. It was the combination of spirits--of the alcoholic kind--and jazzy dancing that incited the ire of the Catholic Church in 1930s Ireland. The threat to the ...

INTERVIEWS

Maud Hixson: Studying Scores and Moving Forward

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Maud Hixson has built an accomplished career as a performer and recording artist out of unlikely circumstances. She grew up far from the capitals of jazz and vocal music, in the Twin Cities area. Doris Day's performance in the Ruth Etting biopic “Love Me Or Leave Me" served as a primary inspiration for a young Maud to become a performer. In her twenties, waiting tables at a diner, she met another future jazz singer, Nichola Miller. With no glamour and lots of hard work, Hixson began spending long hours researching scores and studying the recordings of such greats as Blossom ...

INTERVIEWS

Danilo Perez: Bridging Cultures and Dimensions of Jazz

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Whether with his own ensembles or as a sideman, Danilo Perez has long been an iconic jazz pianist, but above and beyond his success as a performer and recording artist, he has become a manifestation and symbol of cross-cultural dialogue. His music brings together mainstream and Latin influences in a unique way. He always brings something new into the mix, whether early on with Dizzy Gillespie, Jon Hendricks or Wynton Marsalis, his award-winning CD, Panamonk (Implulse, 1996), and more recently with the Wayne Shorter Quartet as well as his own groups featuring Brian Blade, John Patitucci, Ben Street, Adam Cruz, ...



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Jamie Saft

Jamie Saft

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Sun Trio

Sun Trio

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Paul Bley

Paul Bley

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Mark Egan

Mark Egan

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