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August 2014

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Dear Mr. P.C.: I work with a guitarist who I mistakenly thought was playing wrong notes when he took a solo. When I asked him about it, he explained to me that he was anticipating the chord change. My question is, do you have to anticipate a chord change in the same song? Or is it cooler to anticipate a chord in a song that you might be thinking of playing in the next set? --Wanting To Be Cool Dear WTBC: Most jazz artists make it their goal to play “in the ...

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Zbigniew Seifert International Jazz Violin Competition

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1st Zbigniew Seifert International Jazz Violin Competition Krzysztof Penderecki European Centre for Music Luslawice/Krakow Poland July 16-19, 2014 He was one of the great jazz virtuosos, right up there some would say with Django Reinhardt, Art Tatum and Charlie Parker. Most frequently, however, he was compared to John Coltrane. The cruelly premature death of Polish jazz violinist Zbigniew Seifert at the age of 32 undoubtedly robbed jazz of one of its most exciting and original musical voices. The cancer that took Seifert in 1979, however, could not extinguish his light and he ...

INTERVIEWS

Steve Swell: Unlimited Musical Possibilities

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"Free Jazz" and “Avant-Garde Jazz" are catch phrases often associated with musical pioneers such as Ornette Coleman and Cecil Taylor but more broadly refer to music that goes outside of the mainstream of melody, harmony, rhythm, and structure. When that happens, opinions and emotions abound. Reactions vary from disgust to excitement and enthusiasm, and it is rare to find a balanced view on the subject. The question arises, why does the same music so strongly attract and repel? To seek answers to this and related questions about music that presses the limits of the expectable, All About Jazz initiated a ...

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Ljubljana Jazz Festival 2014

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2014 Ljubljana Jazz Festival 2014 Ljubljana, Slovenia July 2-5, 2014 Ljubljana--capital of the Republic of Slovenia, member of EU, neighbored by Austria, Hungary, Croatia and Italy--hosts the oldest jazz festival in Europe, which held its 55th edition this year. The event is usually organized by Cankarjev House--Cankarjev Dom, in Slovenian--a prestigious, state-run cultural centre in midtown Ljubljana, residing in one half of an impressive twin tower building, the other part being the National Bank of Slovenia. Ljubljana is situated near the Alps in the west and the Adriatic part of the Mediterranean Sea in ...

DRUMMER TO DRUMMER

John Riley: Inspiring Innovation

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Foremost an innovator, John Riley has always been a “drummer's drummer" in the world of straight-ahead jazz. With nearly a hundred recordings, a dozen videos, and five books under his belt, Riley is a veritable font of knowledge in the bebop realm. In this article, we take a look back at some of his musical endeavors including recording with Miles Davis, working with Quincy Jones, and playing drums with the Vanguard Jazz Orchestra. We'll also examine the changing landscape of music and discuss how younger drummers can find inspiration. All About Jazz: I've been a fan of yours ...

CATCHING UP WITH

Stanton Moore Goes Indie

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Drummer Stanton Moore is one of the prodigal sons of jny: New Orleans. His fans know him well from projects like Galactic, Garage a Trois and Dragon Smoke, which prodigiously fuse rock, jazz and funk. Moore, whose musical career spans nearly 25 years, is also an educator and has released several instructional books and DVDs. However, he had never recorded a jazz-only album. Before taking that step, he immersed himself in the jazz world, and played with jazz veterans James Singleton and David Torkanowsky for a couple of years. When he felt ready to record the ...

ON AND OFF THE GRID

Practice, Do You? - Part 1-3

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I began studying the guitar when I was seven years old. I hated my teacher and I didn't practice much, but when I changed teachers' and I went to Joe Geneli, I regained a love for the guitar that I first had when I was four years old when I first saw Roy Rogers sing and play. It was with Joe that I began to practice. I found an hour a day was sufficient, but as I got older and the music he gave became harder, I practiced longer. When I was fourteen I switched to Sal Salvador. ...

ARTIST PROFILES

Remembering Charlie Haden

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We're celebrating the spirited life and music of bassist Charlie Haden (1937-2014) who passed away on July 11th. We've included links to four archived interviews as well as our coverage of Mr. Haden's music from years past. Charlie Haden: An Analog Guy in a Digital World (2004) Born August 6, 1937 in Shenandoah, Iowa, Charlie Haden came up in a musical family. After moving around the Midwest, he eventually settled in Los Angeles playing bass with Hampton Hawes, Elmo Hope, and Paul Bley. A fateful meeting in 1958 with Ornette Coleman netted Haden one of his ...

INTERVIEWS

Orrin Evans: Hot Irons In The Fire

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A pianist with great chops, great touch and an attack that fancies many influences from fierce swing to gospel, Orrin Evans is one of the outstanding creative musicians on the New York City scene. His work, no matter what the context--and he loves different contexts--is downright riveting at times. But for the 38-year-old who hails from jny: Philadelphia, jazz, though a pleasure, was a bit of a mystery when he was first experimenting with it. “I didn't know what improvisation was, to be honest. I didn't know what they were doing," when he listened to records, ...

INTERVIEWS

Martin Wind: Appreciating Bill Evans

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Bassist Martin Wind had already gigged with American jazz musicians prior to moving to New York City in 1996 to advance his musical studies. Though classically trained, Wind is highly versatile, having played in orchestras, small jazz groups, crossing genres on the electric bass prior to departing his native Germany. Now, years later, he is a well-established player on the New York scene, having performed with stalwarts like Monty Alexander, Pat Metheny, Clark Terry, Slide Hampton, Toots Thielemans, the Metropole Orchestra, Michael Brecker, Randy Brecker, Phil Woods and more. He's cut albums under his own name and since ...

July 2014

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Dear Mr. P.C.: I hate my playing almost all the time. What's worse is I don't seem to hate it any less even though I'm getting better. At least I think I'm getting better, when I'm not busy hating my playing. Is there something wrong with me? --Having Absolutely Terrible Esteem Dear HATE: Instead of getting lost in self-loathing, try to focus on the times when you don't hate your playing. What makes those moments different? Do you really sound better, or is it just a matter of perspective? If it's just ...

INTERVIEWS

Ulf Wakenius: Confessions of A Vagabond

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Happenstance may play a role in turning dreams into reality, but anyone who's ever realized a burning ambition will appreciate just how much hard work has paved the way. Two phone calls out of the blue almost twenty years apart opened doors to Swedish guitarist Ulf Wakenius, that in the first case he could only have dreamt about, and in the second, he could never have imagined. In 1997, in fairly dizzying circumstances, Wakenius suddenly found himself in pianist Oscar Peterson's quartet, with whom he would go on to tour the globe countless times during the jazz legend's ...



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Roscoe Mitchell

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Sun Trio

Sun Trio

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