"Crazy Girl" by Komeda Project - A Fresh New Look at the Wondrous Music of Krzysztof Komeda.

KOMEDA PROJECT, a jazz quintet, was brought to life from a desire to perform - on this side of the Atlantic - and be able to hear live, music of Krzysztof Komeda again. Their just released Crazy Girl CD consists of six Komeda compositions ("Crazy Girl," “Kattorna," “Ballada," “Svantetic Prelude," “Svantetic" and “Sleep Safe and Warm") plus three of the group's originals and has already begun to be noticed here and abroad.

Download FREE MP3 Track from Crazy Girl

Calling it Record of the Month, Keyboard magazine (April/2007) said: “Even amongst the many engaging, skillfully-executed projects that cross our desk, it's rare to discover something as unexpectedly compelling as this ... and the entire group's musicianship remains exceptional throughout."

“Highly recommended" says Budd Kopman from All About Jazz: “The excitement, energy and the logical yet free structure of Komeda's work is readily apparent in the arrangements and playing. ... these tracks are not meant to be museum pieces, but rather a reaction in the present to the very core of Komeda's music. ... a wonderful introduction to the musical world of Krzysztof Komeda."

And UK's Jazzwise magazine (April/2007) says Komeda Project is “updating Krzysztof Komeda's music within a contemporary hard bop context ... that would not have been out of place on a Blue Note album."

In his short life (until untimely death after a tragic accident in Hollywood at the age of 38), Krzysztof Komeda (1931-1969) wrote music for more than 60 films, including classics of the Polish cinema by the Academy Award winners Roman Polanski and Andrzej Wajda. It was Polanski who gave Komeda his first commission in 1957, and used his music in almost all of his films over the next decade, inviting him to Hollywood in 1967 to score his American film debut, “Rosemary's Baby." According to Polanski himself, the popular and critical success of “Rosemary's Baby" owed much to Komeda's empathy and creative imagination.
Even though Komeda's film scores quite often made use of Jazz and improvisation, it is the music he wrote to perform and record as a pianist with his own jazz groups, especially 1965 recording of “Astigmatic," that helped to develop a uniquely European (in structure and lyrical content, especially) style in jazz composition.

Bringing Krzysztof Komeda's wondrous music back to life is what Komeda Project is all about. He expanded the range of expression in jazz by adding a dramatized lyricism - its force reaching the intensity of ecstatic and mystical experience. It deserves not to be forgotten.

KOMEDA PROJECT is: Russ Johnson - trumpet, flugelhorn; Krzysztof Medyna - saxophones; Andrzej Winnicki - piano; Michael Bates - bass; Dave Anthony - drums

Their musical roots in Poland, founders of KOMEDA PROJECT, pianist ANDRZEJ WINNICKI and saxophonist KRZYSZTOF MEDYNA toured Europe extensively during the 1980's with their original jazz group Breakwater. The group was featured at European jazz festivals, won an international jazz competition (best group and best instrumentalist - Krzysztof Medyna), and was broadcast on national television and radio.

Later, Medyna also performed and recorded as a member of the group In/Formation, frequently touring side by side (on a double bill) with ECM recording artist, trumpeter Tomasz Stanko who worked on all of Krzysztof Komeda's Polish soundtracks from 1964 onwards and was the composer's closest musical associate and band member from 1963 until 1968.

In the United States, Winnicki and Medyna revived their original group during the 90's under the name Electric Breakwater. Electric Breakwater's CD “In the Bush" with Mark Egan on bass and Rodney Holmes on drums was released in 2001.

Trumpeter RUSS JOHNSON, a Manhattan School of Music graduate, is an active performer in the jazz, improvised, and contemporary classical music scenes throughout the U.S. and abroad. He has performed and/or recorded with a long list of heavyweights including: Lee Konitz, Kenny Wheeler, Bill Frisell, Joe Lovano, Richie Beirach, Mark Ribot, Charles Earland, David Liebman, The Jazz Passengers, Oliver Lake, Elvis Costello, Debbie Harry, Lou Reed, Laurie Anderson, Brian Blade, Aretha Franklin and Tony Malaby.

A native of Canada, bassist MICHAEL BATES is a graduate of the University of Toronto and has studied with bassist/composer Mark Helias, Don Thompson, Dave Young and has also worked under the former principal bassist of the Tokyo Symphony, Yoshio Nagashima. He has toured Hong Kong, China, Korea and Japan and performed across the United States and across Canada. Michael Bates is on faculty at the Banff Centre of the Arts as Program Coordinator of the International Jazz Workshop where he works with the artistic director, Dave Douglas.

Drummer DAVE ANTHONY also holds a degree from Manhattan School of Music. He began his professional career touring and recording with Oscar Award winning Tan Dun, composer of “Crouching Tiger Hidden Dragon" movie score. He has recorded and/or performed with Glen Burtnick (songwriter/Styx), “Electric Breakwater" and Broadway's “Swing" and “Moving out".