The saxophonist appears on these dates, recorded between 1989-94, alone and with German pianist Frank Wunsch. Konitz completists will remember his 1990 Nabel recording S'Nice with Munsch's trio, a graceful if not all that interesting aside. Here, however, we find Konitz returningduring three of the eight tracks found on the new Jazzwerkstatt recording Insightto the solo format that propelled him past an early-career generalization as this too-cool, too-abstract ignorer of be-bop's passions on the brilliant 1974 recording Lone-Lee. Elsewhere, Konitz appears alongside only Wunsch, avoiding the metronomic rhythmic mishaps that marred S'Nice.
But don't look for the percussive, almost free vibe found on that '74 recording's standout tracks Cherokee" and The Song Is You." Instead, Konitz travels back to lyrical, chamber-influenced style for which he made his name while with Lennie Tristano in the late 1940s. Lucky for us, Konitz's fluency, his ability to sound as once so delicate and yet so affable, remain as no small wonders.
The duo moments, of course, don't disappoint either. Dating back to Konitz's standout 1967 project The Lee Konitz Duets, with Joe Henderson, Jim Hall, Eddie Gomez, Elvin Jones and othersnot to mention 1974's dark and instinctive I Concentrate on You, with Red Mitchell; and 1982's intimately explorative Toot Sweet, with Michel Petruccianihe's often seemed more comfortable than any other in this conversational format. Here, as on the Mitchell recording, there is an itchy harmonic tensionbut also a few moments of twinkling humor.