Part of what's kept Burrell afloat over the years is musical focus. Music, he says, has to be a balance between heart and mind. The thing is to not let your technique or your analytical side overshadow your feelings. There's one more thing you've gotta doyou've got to be consistent. That takes work, it takes concentration, it takes focus, it takes dedication."
He's often praised for qualities like taste, discipline and aversion to musical cliché. I sometimes think that phrasing is a lost art in jazz, and perhaps especially among guitarists," Gioia says. But Burrell knows how to shape a phrase, where to place the proper emphasis, how to construct a solo. He has unerring instinctslike a great boxer, who has a feel for the right move at the right moment."
Burrell sees jazz soloing as a conversation between musician and listener. If I was talking too fast, or not taking breaths, not giving you time to take it init would not get across very well."
To him, the blueswhich can lead lesser players to volubilityis about understatement. Music begins and ends with silence, he says. In between, it's up to you. You should make a statement. And when you've made your statementwhich should be important to you, you should mean ityou should stop."
To read all of Timberg's article, which traces Burrell's career, go here.
Burrell appeared on Japanese Television in 1990, with bassist Bob Magnusson and drummer Sherman Ferguson, playing Duke Pearson's Jeannine."