| TW | LW | 2W | Artist | TW | LW | Move | Add | Rpts | Peak | Wks |
| 1 | 2 | 17 | David “Fathead” Newman I Remember Brother Ray (HighNote) | 332 | 264 | +68 | 8 | 58 | 1 | 3 |
| 2 | 1 | 2 | Shelly Berg Trio Blackbird (Concord Jazz — 2216-2) | 305 | 276 | +29 | 2 | 49 | 1 | 7 |
| 3 | 22 | — | Joey DeFrancesco w/Jimmy Smith Legacy (Concord Jazz — 2229) | 285 | 107 | +178 | 19 | 52 | 3 | 2 |
| 4 | 4 | 7 | Stefano di Battista Parker’s Mood (Blue Note) | 261 | 213 | +48 | 1 | 53 | 4 | 4 |
| 5 | 5 | 5 | David Sanborn Closer (Verve Music Group) | 216 | 208 | +8 | 1 | 43 | 3 | 5 |
| 6 | 9 | — | Randy Johnston Is It You? (HighNote) | 202 | 190 | +12 | 7 | 47 | 6 | 2 |
| 7 | 8 | — | Kevin Mahogany Big Band (Zebra Records/Mahogany Jazz — 54675-2) | 200 | 198 | +2 | 7 | 48 | 7 | 2 |
| 8 | 6 | 11 | Jay Leonhart Cool (Sons of Sound — 0022) | 196 | 207 | -11 | 2 | 50 | 6 | 5 |
| 9 | 3 | 9 | Christian Jacob Styne and Mine (WilderJazz) | 173 | 225 | -52 | 1 | 46 | 3 | 5 |
| 9 | 7 | 8 | Orbert Davis Blue Notes (3 Sixteen) | 173 | 200 | -27 | 2 | 44 | 7 | 9 |
| 11 | 10 | 12 | Caribbean Jazz Project Here and Now: Live In Concert (Concord Picante) | 168 | 178 | -10 | 2 | 37 | 10 | 7 |
| 12 | 16 | 13 | Lincoln Center Jazz Orchestra A Love Supreme (Palmetto) | 164 | 149 | +15 | 2 | 45 | 11 | 4 |
| 13 | 10 | 6 | Jim Snidero Close Up (Milestone) | 161 | 178 | -17 | 1 | 36 | 5 | 16 |
| 14 | 15 | 10 | Queen Latifah The Dana Owens Album (Qwest) | 160 | 154 | +6 | 1 | 33 | 5 | 15 |
| 15 | 12 | 4 | Eric Alexander Dead Center (HighNote — HCD 7131) | 153 | 177 | -24 | 0 | 37 | 1 | 15 |
| 16 | 14 | 15 | Ken Walker Sextet Terra Firma (Synergy Music) | 147 | 156 | -9 | 7 | 43 | 14 | 4 |
| 17 | 19 | 21 | Michel Camilo Solo (Telarc Jazz — 83613) | 143 | 126 | +17 | 4 | 39 | 17 | 4 |
| 17 | 13 | 3 | Steve Turre The Spirits Up Above (HighNote) | 143 | 158 | -15 | 1 | 38 | 1 | 14 |
| 19 | 18 | 1 | Doctor Lonnie Smith Too Damn Hot (Palmetto — PM 2105) | 142 | 142 | 0 | 1 | 41 | 1 | 14 |
| 20 | 35 | 41 | Roger Kellaway I Was There - Roger Kellaway Plays From The Bobby Darin Songbook (IPO Recordings) | 134 | 79 | +55 | 4 | 30 | 20 | 4 |
| 21 | 17 | 26 | Roditi / Ignatzek / Rassinfosse Light In The Dark (Nagel Heyer — 2047) | 127 | 144 | -17 | 1 | 33 | 17 | 5 |
| 22 | 26 | 30 | Carl Amundson & The Modern Guitar Quintet Guitarists (Blue Line Music — BLM 0204) | 118 | 89 | +29 | 4 | 31 | 22 | 4 |
| 22 | — | — | Avery Sharpe Trio Dragonfly (JKNM) | 118 | 59 | +59 | 6 | 29 | 22 | 1 |
| 24 | 41 | 40 | Ray Charles Genius Loves Company (Concord — 2248) | 112 | 74 | +38 | 0 | 25 | 6 | 27 |
| 25 | 21 | 36 | Will Martin Morning (Saguaro Beach) | 110 | 113 | -3 | 3 | 38 | 21 | 3 |
| 26 | 25 | — | Reed Kotler Tomo (Torii Records — 042) | 108 | 94 | +14 | 13 | 45 | 25 | 2 |
| 27 | 41 | — | Bireli Lagrene & Gipsy Project Move (Dreyfus Jazz — 36668-2) | 106 | 74 | +32 | 12 | 36 | 27 | 2 |
| 27 | 30 | 25 | Martijn van Iterson Quartet The Whole Bunch (Munich Records — BMCD 446) | 106 | 84 | +22 | 1 | 24 | 11 | 15 |
| 29 | 20 | 14 | Houston Person To Etta With Love (HighNote — HCD 7127) | 102 | 118 | -16 | 0 | 24 | 2 | 15 |
| 30 | 26 | 48 | Corey Christiansen Awakening (Mel Bay) | 101 | 89 | +12 | 7 | 34 | 26 | 3 |
| 31 | 45 | — | Monk’s Music Trio Think Of One (CMB Records — 102841) | 98 | 73 | +25 | 5 | 25 | 31 | 2 |
| 32 | 39 | — | Pat Metheny Group The Way Up (Nonesuch) | 96 | 75 | +21 | 6 | 29 | 32 | 2 |
| 33 | 29 | 31 | Madeleine Peyroux Careless Love (Rounder) | 94 | 85 | +9 | 1 | 26 | 5 | 21 |
| 34 | 22 | 38 | Wynton Marsalis Unforgivable Blackness: The Rise and Fall of Jack Johnson (Blue Note — 64194) | 93 | 107 | -14 | 3 | 32 | 22 | 3 |
| 35 | 24 | 27 | Wallace Roney Prototype (HighNote) | 90 | 95 | -5 | 0 | 22 | 8 | 13 |
| 36 | 41 | 28 | Clark Terry Porgy & Bess (Americana Music/A440 Music Group — 9002) | 88 | 74 | +14 | 0 | 17 | 5 | 22 |
| 37 | 32 | 41 | The Jim Seeley/Arturo O’Farrill Quintet (Zoho Music — 200501) | 85 | 82 | +3 | 2 | 32 | 32 | 3 |
| 37 | 48 | 36 | Al Jarreau Accentuate The Positive (Verve Music Group — 01312) | 85 | 71 | +14 | 1 | 25 | 3 | 28 |
| 39 | 38 | 17 | Ken Peplowski Easy To Remember (Nagel Heyer — 2043) | 81 | 77 | +4 | 2 | 28 | 7 | 15 |
| 40 | 31 | 33 | Jim Pearce Washington Square Park (Oak Avenue Publishing — 8253466173) | 79 | 83 | -4 | 1 | 23 | 31 | 3 |
| 41 | 47 | 50 | Ed Neumeister Quartet New Standards (Meistero) | 78 | 72 | +6 | 5 | 30 | 41 | 3 |
| 42 | 33 | 23 | Deep Blue Organ Trio Deep Blue Bruise (Delmark — DE-556) | 77 | 80 | -3 | 0 | 21 | 7 | 16 |
| 43 | — | — | Darek Oles Like A Dream (Cryptogramophone) | 73 | 64 | +9 | 13 | 32 | 43 | 1 |
| 44 | 35 | — | Octobop After Dark (Mystic Lane Productions — CD 030 465) | 72 | 79 | -7 | 1 | 26 | 35 | 4 |
| 45 | — | 34 | New Stories Hope Is the Air: Music of Elmo Hope (Origin) | 70 | 59 | +11 | 0 | 14 | 6 | 16 |
| 45 | 41 | 31 | Leslie Pintchik So Glad To Be Here (Ambient) | 70 | 74 | -4 | 0 | 12 | 29 | 9 |
| 47 | 28 | 19 | Michael Wolff Dangerous Vision (Artimas) | 69 | 87 | -18 | 2 | 25 | 17 | 13 |
| 47 | 39 | 16 | Tony Monaco Firey Blues (Summit — 425) | 69 | 75 | -6 | 0 | 17 | 13 | 16 |
| 49 | 35 | 20 | Pucho & His Latin Soul Brothers The Hideout (Milestone) | 66 | 79 | -13 | 1 | 23 | 12 | 13 |
| 50 | 33 | 21 | Mike Longo and the New York State of the Art Jazz Ensemble Oasis (CAP — 982) | 65 | 80 | -15 | 0 | 19 | 7 | 18 |
JazzWeek Radio Chart: February 16, 2005
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