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INTERVIEW

Interview: Carlos Lyra

Interview: Carlos Lyra

Just before the British Invasion turned American teens into screaming consumers, a new style of romantic music with a jazzy Latin feel captured the hearts of young adults in the States. Known as the bossa nova, the music was a cooler cousin of Cuba's cha-cha-cha and a sophisticated folk form that was highly melodic and notably ...

INTERVIEW

Interview: Nancy Harrow

Vocalist Nancy Harrow may not be a household name, but in the early 1960s she recorded with some of the best jazz musicians in the business. The list included Dick Katz, Jim Hall, John Lewis, Phil Woods, Connie Kay and Gary McFarland. Modeling her vocal style of her favorite singer, Billie Holiday, Nancy specialized in a ...

INTERVIEW

The Swinging Shepherds

The Swinging Shepherds

In the final installment of my three-part series on off-the-radar jazz supergroups of the 1950s, I'm turning today to Buddy Collette and His Swinging Shepherds—a West Coast quartet of superb flutists that regrettably recorded only two albums for Mercury. Both albums were arranged by Pete Rugolo, who pulled out all the stops in terms of writing ...

INTERVIEW

Spike Wilner On Playing For Listeners

Spike Wilner On Playing For Listeners

Spike Wilner is a pianist who operates two jazz clubs in jny: New York City with his partners Chris Borden and Lee Kostrinsky. Smalls and Mezzrow are within a short walk of one another in Greenwich Village. They present familiar artists like Lew Tabackin, Frank Lacy, Pete Malinverni, Johnny O'Neal and Wilner himself, as well as ...

INTERVIEW

Interview: Andy Waddell

Interview:  Andy Waddell

Q: How do you feel you have developed creatively with your new album, Alive? A: This is an honest trip. It came like Sunday boredom, almost baptismal, a dip in the river after a week’s bend. I've been writing and creating my own music for a long time, but everything on this album came from a ...

INTERVIEW

Interview: Damjan Krajacic

Interview: Damjan Krajacic

Q: When did you start playing the flute? Did your family already know you had an interest in music? A: I was a bit late coming to the flute, at 19. My main instrument was electric bass, and I dabbled into classical guitar and piano a bit prior to that. Once I entered college, I was ...

INTERVIEW

Interview: Irma Curry (Part 2)

Interview: Irma Curry (Part 2)

Irma Curry was a big band singer at a time when most big bands were shifting to the blues and the college dance circuit. Despite the trend, Irma developed a style all her own and stuck with it, with an emphasis on romantic ballads that she delivered with enormous feeling. In some respects, she had been ...

INTERVIEW

Interview: Irma Curry (Part 1)

Interview: Irma Curry (Part 1)

Irma Curry may not be a familiar name to you, but in the early 1950s she was a star vocalist in Lionel Hampton's band. In 1962, she recorded a superb album for Columbia called Love Is a Necessary Evil. The band arranged by Al Cohn and conducted by  Don Elliot including Hal McKusick (as), Barry Galbraith and ...

INTERVIEW

Interview: Slovak Bass Icon Juraj Griglak

Interview: Slovak Bass Icon Juraj Griglak

Q: When did you learn to play the bass? A: My father chose for me to play classical upright bass; he was a clarinetist in symphony orchestra. I went to conservatory for six years and then four years at university. After finishing my studies, I started playing in the Slovak Philharmonic Orchestra and have been playing ...

INTERVIEW

One Of Hawaii's Finest Jazz Artists: Jr Volcano Choy

One Of Hawaii's Finest Jazz Artists: Jr Volcano Choy

Q: I'm sure you receive this question numerous times. Your name - where did you get it? A: Almost 30 years ago, I was on a road tour for Columbia Records. After one of our performances, a music critic who was present mentioned that the “trumpet soloist” blew like an “erupting volcano” and so the other ...


 

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