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Grammy Nominated Pianist Eldar Djangirov Achieves A Career Breakthrough With Tandem Releases: Breakthrough, A New Jazz Trio Opus And Bach/Brahms/Prokofiev, His Solo Classical Debut

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"A sparkling command of the instrument." —Chick Corea

“An uncompromising clarity of rhythm, timing and sound that is pure light." —Jan Vogler, Dir., Moritzburg Chamber Music Festival

Few artists could record two albums over the course of one week in different musical genres, with disparate personnel, and at separate studios. Yet New York City-based pianist Eldar Djangirov has done just that, and proven himself musically ambidextrous as evidenced by two remarkable, self-produced recordings for his debut on the maverick, multi-Grammy nominated Motéma Music, which were released in April and May.

Eldar's Breakthrough, recorded at Avatar Studios in New York City, was released on April 9. Like the 26-year-old's 2009 disc Virtue, it features his long-standing touring trio with bassist Armando Gola and drummer Ludwig Afonso. Breakthrough breaks through to reinforce just how powerful and poignant a road tested jazz trio of young lions can be.

Captured live in the studio, Breakthrough exudes compositional brilliance, improvisation and interplay. The trio pushes the envelope on Eldar's “Point of View Redux," and features guest vibraphonist Joe Locke on the pianist's dizzying “Blink" and saxophonist Chris Potter on Eldar's impressively layered title track. Eldar's arrangements of Irving Berlin's ballad “What'll I Do" and the whimsical Redd Evans/David Mann composition “No Moon at All" feature electric bassist Gola switching to an acoustic upright instrument, playing evocative lines as Afonso eschews drumsticks to provide stirring brushwork. There's even a telekinetic cover of British pop band Radiohead's “Morning Bell."

“There's a special connection within this trio," Eldar says. “It feels like we're all playing one single instrument." All the more remarkable as this youthful unit plays at exhilarating speeds and yet maintains a distinctly heartfelt touch.

Bach/Brahms/Prokofiev, recorded solo at Manhattan Center Studios and released on May 14, marks the pianist's second solo release, and his debut album in the classical genre. It expands, with fervor and finesse, upon the much-lauded classical pieces interspersed on Eldar's 2011 solo piano debut Three Stories. Chronological, it captures Bach's 1720s playfulness on “Partita #2 in C minor, BWV 826" and Brahms' 1870s harmony on “Eight Piano Pieces, Op. 76." Eldar, a native of the former Soviet Union, further showcases his roots through Prokofiev's “Sonata #7 in Bb major, Op. 83" from the 1940s.

These two new recordings illustrate a combination of musical logic and abandon that is singularly Eldar — and mark a major breakthrough by this popular piano star.


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