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About Jim Hall
Jim Hall is the reigning master of the jazz guitar. This poetic player says more with fewer notes than any living improviser."The New Yorker
Jim Hall, born in Buffalo, and educated at the Cleveland Institute of Music, moved to Los Angeles where he began to attract national, and then international, attention in the late 1950s. By 1960 Jim had arrived in New York to work with Sonny Rollins and Art Farmer, among others. His live and recorded collaborations, with Bill Evans, Paul Desmond, and Ron Carter, are legendary.
Not only is Jim Hall one of the jazz world's favorite guitarists, but he has also earned critical acclaim for his skills as a composer and arranger. The first formal recognition came in 1997, when Jim won the New York Jazz Critics Circle Award for Best Jazz Composer/Arranger. His pieces for string, brass, and vocal ensembles can be heard on his Textures and By Arrangement recordings. His original composition, 'Quartet Plus Four,' a piece for jazz quartet augmented by the Zapolski string quartet, was debuted in Denmark during the concert and ceremony where he was awarded the coveted Jazzpar Prize, and later released on CD.
His most recent large-scale composition was a concerto for guitar and orchestra, commissioned by Towson University in Maryland for The First World Guitar Congress, which was debuted in June 2004 with the Baltimore Symphony. The title of the work, 'Peace Movement,' is indicative of Jim's desire to contribute to world peace through his music. He views music as a way of bonding people together and crossing barriers, be they barriers of geography, ideology, religion, or other discrimination. In accepting the NEA Jazz Masters Fellowship award in January 2004, he said, The women and men who have received this award in the past have spread peace and love throughout the world, something that governments might emulate. I am pleased to be one of the peacemakers."
In addition to the recent focus on orchestral and choral composition, Jim remains active as a player, working and recording with a variety of ensembles all around the world. In addition to working with his trio, Jim likes to spice up the mix with various guests. From time to time you might hear Joe Lovano, Greg Osby, the New York Voices, Kenny Barron, Pat Metheny, Slide Hampton, and others, working for a night or two with Jim's groups. In fact, several of these guests can be heard on a live recording titled Panorama. On occasion, these alliances lead to more intensive collaborative projects such as the Jim Hall & Basses recording featuring Scott Colley, Charlie Haden, Dave Holland, George Mraz, and Christian McBride, and the duets project with Pat Metheny."Devra Hall
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