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Duke Ellington's Sacred Music Holds Sacred Place in Seattle's Jazz Community

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Earshot's annual performance of Duke Ellington's sacred music is unique to Seattle. It's a magnum opus involving more than 50 performers on stage, and it was instrumental in the formation of the now-accomplished Seattle Repertory Jazz Orchestra.



In 1965, the Pulitzer Prize's three-member music jury voted unanimously to award Duke Ellington a special citation for his prodigious contributions to American music, an award unceremoniously rejected by the Pulitzer's 14-member advisory board.

The 66-year-old Ellington handled the snub and resulting controversy with customary aplomb. “Fate is being kind to me," the Maestro said. “Fate doesn't want me to be famous too young."

In truth, Ellington had his eye on loftier concerns. On Sept. 16 of that year, the Duke Ellington Orchestra premiered “A Concert of Sacred Music" at San Francisco's Grace Cathedral, the first of three Sacred Music programs that he considered his most important work.

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