The release takes its name from a John Philip Sousa quote about the dangers of music technology, and features new definitive studio recordings of material Argue and the band have been developing since their first gig in 2005.
...Argue has succeeded at creating a magnificent chimera. His harmonically rich blend of contrapuntal horn voicings, atmospheric electronic textures and post-minimalist rhythms surpass the early fusion experiments of his predecessors, yielding a fully integrated sound world as current as it is timeless."
--Troy Collins, All About Jazz
...[Argue's] first album, Infernal Machines, arrives just in time to bring one of the most intriguing cases of artistic foreplay in jazz history to a deeply satisfying resolution."
--Richard Gehr, Village Voice
It’s a potent debut, and the weight of its achievement feels properly definitive..."
--Nate Chinen, New York Times
...a seven-track marvel of imagination."
--David R. Adler, Time Out New York
For a wholly original take on big band’s past, present and future, look to Darcy James Argue, a 33-year-old Brooklynite who has composed a batch of manifestos that draws on past legacies, and adds a little postpunk energy to boot. Argue’s tunes can command your attention anywhere—no small feat in our media-saturated world."
--Seth Colter Walls, Newsweek
The widely anticipated debut CD from Argue’s 18-piece 'steampunk big band' delivers on all counts. The music is unusual, fresh and vibrant, merging modern jazz with rock- derived concepts on a grand scale."
--Forrest Dylan Bryant, KZSU 90.1 FM
An exciting stylist with an abundance of ideas, Argue deserves his place alongside Schneider, Hollenbeck and other contemporary big band arrangers who are looking beyond traditional notions of what a large jazz orchestra should, and can, sound like."
--James Hale, Jazz Chronicles
...a seriously great record, one of the finest examples of new jazz I’ve heard in the past decade, one of the finest big band records ever made, one of the finest jazz records I’ve truly ever heard."
--George Grella, The Big City
[Infernal Machines] lives up to the buzz, featuring writing and performing that catapults Argue's group into the ranks of jazz's best contemporary large ensembles, making boundary-breaking music that ranks with the art from his teachers Maria Schneider and John Hollenbeck. Throughout, Argue masterfully blends thrilling, innovative rock elements with sounds that remind one that he's running a big band after all."
--Peter Hum, Ottawa Citizen
Like a rock band, the Secret Society delights in big, assertive ideas. Yet this rugged let- it-rip aesthetic is beefed up by a rich harmonic palette that you won't find at any rock concert. This is fresh and non-derivative work, and justifies the intense buzz surrounding this bandleader's debut release."
--Ted Gioia, Jazz.com