There are some nice jams and a few more composed sequences. What is striking is the way Cheryl will sometimes worry and do variations on a short motive or related set of them. In those cases she is more spontaneously composing than freebopping.
From first to last this is a group that sounds well together and takes full advantage of the contrasts between Cheryl's ravishing tone, long lines and phrasing bursts, Max's single-line pointillism and chordal thrusts, and Randall's effectively busy, quietly churning drums.
It is a vivid picture of three promising musicians frozen in a point of time. It is music that is free," tonal and mellow. I think even people who don't ordinarily go for the free-er echelons of improvisatory music will appreciate this one. Cheryl does not emerge fully formed (as from the head of Medusa) but is a work in progress. Very promising. And very interesting music.