Without this knowledge and context, the music will sound jagged, heavy and at times annoying. But with the overlay, you hear much more—the sounds of justified complaint, frustration and a general annoyance with the slow pace of fairness and equality.
Five Jazz Workshop concerts were held—at Town Hall in New York (April 1964), in Amsterdam (April 1964), two in Monterey, Calif. (September 1964 and 1965) and in Minneapolis (May 1964). Many of the pieces performed had a stormy, freewheeling feel that drifted between expressionist performance and more traditional forms of jazz. In nearly all cases, the sounds of the Civil Rights movement echoed in the music.
Not every piece included in the boxed set was distinctly political, of course. The Duke Ellington Medley (Monterey), Arts of Tatum and Freddie Webster (Monterey) and Cocktails for Two (Minneapolis) are among the straight-up jazz works that are in stark relief with the heft of the statement pieces.
JazzWax tracks: You'll find Charles Mingus: The Jazz
JazzWax clip: Here's Don't Let It Happen Here, from September 1965 at Monterey, Calif., featuring Jimmy Owens on trumpet...
Don't Let It Happen Here
This story appears courtesy of JazzWax by Marc Myers.
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