By the late '50s, his name was front and center, until the
Like many musicians who could arrange in the early '50s, Verplanck wound up in Hollywood, where he remained for a time. He was part of a generation of musicians who still loved the big bands at a time when
As VerPlanck told Schaen Fox in Jersey Jazz in 2009:
So the A&R man said, 'Neal, do something.' Neal sent home the strings and kept the vocal group and the four trombones. He put it together in about an hour and we faked it. I mean, he just sang the lines that he wanted us to do and we did it. When Jimmy heard the thing, he said, 'That's it." That's the way Neal was; he just wrote those things and they were wonderful."
This story appears courtesy of JazzWax by Marc Myers.
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