Peralta's recent output has ranged from collaborations on Flying Lotus' Brainfeeder Records imprint, including the pianist's 2011 album Endless Planets," and session work for artists including Erykah Badu and the Cinematic Orchestra. But Peralta first made his international mark at age 15 at the Tokyo Jazz Festival, where he and his trio performed a set that confirmed a pianist with prodigious talent.
You could see it in his hands, and those long pianist fingers that moved across the keys effortlessly. One night last year, Peralta gigged with his trio at the Del Monte Speakeasy in Venice, and I was lucky enough to spin records between his sets. In addition to being an incredibly curious listener β after we met, he flipped through my records and asked about a few tracks I'd played β when Peralta sat down at the keyboard his talent was immediately obvious. I'll always remember sitting a few feet away from him on the Speakeasy's tiny stage, watching from close range his hands control his keyboard.
In a review of Peralta's gig in 2011 at Lot 1 Cafe, The Times' Chris Barton was effusive: Peralta was often a force of nature on his red electric keyboard. Hammering out squelched, funk-dappled notes that recalled 'Bitches Brew'-era Chick Corea at one instance or flickering, twilit atmospherics the next, Peralta sounded like every bit of the next big thing."